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Dissertation - World Federation of Music Therapy

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Ricoeur agrees with Ernst Cassirer in his view <strong>of</strong> the role <strong>of</strong> the metaphor, when he<br />

asks: “Can one not say that the strategy <strong>of</strong> language at work in metaphor consists in<br />

obliterating the logical and establishing frontiers <strong>of</strong> language, in order to bring to light<br />

new resemblances the previous classification kept us from seeing? In other words, the<br />

power <strong>of</strong> metaphor would be to break an old categorization, in order to establish new<br />

logical frontiers on the ruins <strong>of</strong> their forerunners?” (Ricoeur 1977, p. 197)<br />

For Aristotle the metaphor was an operation <strong>of</strong> analogy, and he did not give it a high<br />

status in the world <strong>of</strong> thought and (re)cognition. Ricoeur is <strong>of</strong> a different opinion. Like<br />

the pioneers <strong>of</strong> cognitive semantics he gives the metaphor a basic – even 'subversive'–<br />

function in human existence and thinking.<br />

The innovative functions <strong>of</strong> the narrative will be explained later. Ricoeur’s theory <strong>of</strong><br />

metaphor and metaphoric statements links the potential <strong>of</strong> innovation – the ‘breaking<br />

<strong>of</strong> old categorizations’ – to semantic tension, ambiguity, conflicts and contradictions<br />

violating the framework <strong>of</strong> traditional cognition: ‘The living metaphor’ is a<br />

‘meaningful contradiction’, a ‘difference that makes a difference’.<br />

Ricoeur (1977, p. 247) presents three applications to the idea <strong>of</strong> tension:<br />

• (a) tension within the statement: tension is created between the principle and the<br />

secondary subject <strong>of</strong> the metaphoric statement. In Lak<strong>of</strong>f and Johnson’s<br />

terminology the two subjects correspond to 'source domain' and 'target domain'.<br />

(Ricoeur mentions two other sets <strong>of</strong> concepts: tenor and vehicle, focus and<br />

frame).<br />

An example from a BMGIM session may serve as illustration (from Bonde<br />

1999): A female client reconstructed her imagery in the following metaphoric<br />

statement: “My life attitude is a one-legged woman, doing nothing”. (In the<br />

imagery the client lost one leg and searched for a new (second) leg in order to<br />

stand better) 11 .<br />

• (b) “tension between two interpretations: between a literal interpretation that<br />

perishes at the hands <strong>of</strong> semantic impertinence and a metaphorical interpretation<br />

whose sense emerges through non-sense”.<br />

11 This clincial example is expanded in section 3.7.4<br />

47

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