Dissertation - World Federation of Music Therapy

9.6 Directions for future research...............................................................................................359
9.6.1 My personal process ...........................................................................................................361
9.7 Conclusion ............................................................................................................................363
ENGLISH SUMMARY...................................................................................................................366
DANSK RESUME ..........................................................................................................................374
REFERENCES ................................................................................................................................385
APPENDIX 4.1 DATA ON SIX PARTICIPANTS AND THEIR GIM PROCESSES. ........................................415
APPENDIX 4.2 PATIENTINFORMATION (IN DANISH) ..........................................................................419
APPENDIX 4.3 THE HADS QUESTIONNAIRE .....................................................................................421
APPENDIX 4.4 THE EORTC QLQ-C30 QUESTIONNAIRE..................................................................425
APPENDIX 4.5 ANTONOVSKY’S SOC QUESTIONNAIRE .....................................................................426
APPENDIX 5.1 QLQ-C30 PROFILES OF SIX PARTICIPANTS ...............................................................428
APPENDIX 6.1 INTERVIEW-GUIDE.....................................................................................................432
APPENDIX 6.2 FIRST SET OF IMAGERY CATEGORIES.........................................................................433
APPENDIX 6.3 (MISSING) ..................................................................................................................434
APPENDIX 6.4 INTERVIEWS WITH THE PARTICIPANTS (TRANSCRIPTIONS).........................................436
Appendix 6.4.1 Interview med INLA 26.5.2003 .........................................................................436
Appendix 6.4.1b Interview with INLA (Translation LOB) ..........................................................446
Appendix 6.4.2a Interview med PIJØ 6.5. 2003.........................................................................456
Appendix 6.4.2b Interview with PIJØ (Translation LOB)...........................................................462
Appendix 6.4.3 Interview med ESMA 9.5.2003..........................................................................469
Appendix 6.4.4 Interview med ANHO 19.5.03 ...........................................................................481
Appendix 6.4.5 Interview med SAAA 11.5.2003.........................................................................489
Appendix 6.4.6 Interview med WIFU 17.5.2003 ........................................................................496
APPENDIX 8.1 OVERVIEW OF MUSIC SELECTIONS USED IN ALL SESSIONS...................504
APPENDIX 8.2 SESSION NOTES (6 PARTICIPANTS).............................................................................510
Appendix 8.2.1a. Session notes PIJØ (Danish)...........................................................................511
Appendix 8.2.1b Session notes PIJØ (English) ...........................................................................518
Appendix 8.2.2a Session notes INLA (in Danish) .......................................................................525
Appendix 8.2.2b Session notes INLA (English)...........................................................................531
Appendix 8.2.3 Session notes ESMA (in Danish)........................................................................538
Appendix 8.2.4 Session notes ANHO (in Danish) .......................................................................543
Appendix 8.2.5 Session notes SAAA (in Danish).........................................................................548
Appendix 8.2.6 Session notes WIFU (in Danish) ........................................................................552
APPENDIX 8.3 BRUSCIA. “THE DOOR” /LEVELS OF TRAVELLING.................................................558
APPENDIX 8.4 MINI-WORKSHOP – RESEARCHING MUSIC AND/OR IMAGERY ................559
APPENDIX 8.5 BRAHMS SCORE + IMAGERY TRANSCRIPT EXAMPLE..................................................561
APPENDIX 8.6 PHENOMENOLOGICAL MUSIC DESCRIPTION ...............................................562
APPENDIX 8.7 BACH: KOMM SÜSSER TOD........................................................................................564
APPENDIX 8.8 BACH: MEIN JESU!..................................................................................................... 570
APPENDIX 8.9 ANALYSIS OF SELECTED MOVEMENTS USING THE SMMA .........................................567
APPENDIX 8.10 HEVNER’S MOOD WHEEL........................................................................................576
APPENDIX 9.1 TYPES OF CLINICAL RELEVANCE OF MUSIC THERAPY RESEARCH ...............................577
APPENDIX 9.2 GROCKE’S CATEGORIES OF EXPERIENCE IN GIM ......................................................579
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