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Dissertation - World Federation of Music Therapy

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daily life myths and fairy tales may functions as a narrative matrix, a structural system<br />

<strong>of</strong> references to universal or archetypal experiential patterns <strong>of</strong> conflicts and conflict<br />

resolutions. Other characters <strong>of</strong> the story than those mentioned in Propp’s model may<br />

include a confidant(e), a messenger, a mouthpiece and other personifications <strong>of</strong> basic<br />

narrative functions. The story may have several plot points, including peaks, abysses,<br />

and pivotal situations. The ending may be happy (the fairy tale type) or tragical (the<br />

myth type). A simpler plot model is based on the Executioner Victim<br />

relationship.<br />

The telling <strong>of</strong> a story and the unfolding <strong>of</strong> a plot needs energy, and the energy unfolds<br />

in archs <strong>of</strong> psychological tension and release, raised by the narrator and experienced<br />

by the reader or listener. A well-known model <strong>of</strong> narrative tension building over time<br />

is the ”Narrator’s model” (Larsen 2003, p. 108f). According to this model an effective<br />

narrative has seven discrete phases: Attack – Presentation – Elaboration – The Point<br />

<strong>of</strong> no Return (PoNR) – Conflict building – Climax – Release. The graphic<br />

representation <strong>of</strong> the model is an intensity curve or pr<strong>of</strong>ile, as shown in fig.3.3.<br />

Figure 3. 3 Narrator’s model – Intensity pr<strong>of</strong>ile<br />

Tension/<br />

Intensity<br />

1.Attack 2. Presentation 3.Elaboration 4.PoNR 5. Conflict building 6. Climax 7.Closure<br />

PoNR= Point <strong>of</strong> No Return<br />

Fig. 3.3 illustrates the plot structure in seven sections, on which the narrator’s model<br />

is built. Each section has its specific feature and function.<br />

Time<br />

51

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