29.07.2013 Views

Dissertation - World Federation of Music Therapy

Dissertation - World Federation of Music Therapy

Dissertation - World Federation of Music Therapy

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

SAAA: No images or metaphors are configured, however the state <strong>of</strong> deep wordless<br />

relaxation is helpful for the client who is <strong>of</strong>ten very demanding <strong>of</strong> herself.<br />

Identifying processes <strong>of</strong> narrative configuration.<br />

In the analysis I have identified four narrative episodes configured round core <strong>of</strong> self-<br />

metaphors. Two episodes were not <strong>of</strong> a narrative or metaphorical character. The<br />

ternary structure <strong>of</strong> the music mentioned in the music analysis has a parallel in a<br />

ternary dramatic structure in all four narrative episodes:<br />

INLA: 1. Beauty (<strong>of</strong> the music)/Lightness/Dancing couples -> 2. Melancholy/ Mood<br />

<strong>of</strong> fall -> 3. Naked maple tree: Death and rebirth/life cycle.<br />

ESMA: 1. Relieving beach promenade/sailboats -> 2. Stormy weather/full<br />

sails/needing protection -> 3. Finding shelter in the plantation.<br />

PIJØ: 1. Calm sea (seen from the beach) -> 2.Sentimental moods and emotions –> 3.<br />

Calm seas (seen from kayak)<br />

WIFU: 1. Intimacy with little girl -> 2. Cleaning up (together with the girl) -> 3.<br />

Seeing beautiful colours.<br />

(ANHO: 1. No images, frustration -> 2. Bodily tension -> 3. Relaxation)<br />

(SAAA: Apparently no development in stages or sections)<br />

In chapter 7 it was demonstrated how personal core or self-metaphors were<br />

configured during the therapeutic process, and how it was possible to identify<br />

emplotment. This analysis was based on Paul Ricoeur’s theories (section 3.2.2).<br />

8.3.1.4 Heuristic <strong>Music</strong> Analysis: <strong>Music</strong>, Image potential and Client imagery in J.S.<br />

Bach: Double Concerto, 2. movement<br />

In the <strong>Music</strong> selections database the Bach movement is described as “interweaving <strong>of</strong><br />

two solo voices”. A more elaborate description can be found in Grocke (2002, p.<br />

117): “The principle feature <strong>of</strong> the music is the interweaving <strong>of</strong> the first and the<br />

second violin parts. As one completes a phrase the other enters imperceptibly.<br />

Repetition is another key factor in this movement that helps the client bring a close to<br />

the imagery experienced during the program. It is a stabilizing piece <strong>of</strong> music and<br />

may <strong>of</strong>ten be used at the end <strong>of</strong> other GIM sessions where the client needs to integrate<br />

268

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!