29.07.2013 Views

Dissertation - World Federation of Music Therapy

Dissertation - World Federation of Music Therapy

Dissertation - World Federation of Music Therapy

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

adiotherapy treatment. These comments are very useful for the planning <strong>of</strong> new<br />

research protocols aimed at investigating the effect <strong>of</strong> BMGIM in the treatment phase<br />

(see 9.6).<br />

The comments made by participants on the issue “Weekly/biweekly (fortnightly)<br />

sessions” from the interviews (see checklist table 6.1) were also addressed by all six<br />

participants, and is relevant to frequency <strong>of</strong> treatment. The project design included<br />

biweekly sessions, however the participants were told that it was possible to have<br />

other time intervals between sessions, if this would meet their needs better. As a<br />

whole, the participants expressed satisfaction with biweekly sessions. Weekly<br />

sessions were described as useful in periods (e.g. in the beginning <strong>of</strong> the therapeutic<br />

process), but in general biweekly sessions had the advantage <strong>of</strong> enabling the<br />

participant to work on her own, if she wished to do so, with continuous processing<br />

(conscious or unconscious) <strong>of</strong> the imagery. In Burns’ study weekly sessions were<br />

used, while the design <strong>of</strong> Clark and McKinney’s study included biweekly sessions. A<br />

discussion <strong>of</strong> advantages or disadvantages was not included in the research reports.<br />

Based on the participants’ comments in this study a flexible administration <strong>of</strong><br />

sessions, meeting the client’s present needs, is recommended.<br />

9.2.3 Findings related to the theoretical basis.<br />

In this section several theoretical issues from chapter 3 are brought forward and<br />

further discussed. In section 9.2.3.1 the relevance <strong>of</strong> metaphor theory and narrative<br />

theory for BMGIM theory and practice is discussed based on the results <strong>of</strong> the<br />

qualitative investigation. In 9.2.3.2 the role <strong>of</strong> the will in the therapeutic process is<br />

discussed in relation to the grounded theory proposed in chapter 6.<br />

9.2.3.1 The relevance <strong>of</strong> metaphor theory and narrative theory<br />

In chapter 3 metaphor was identified as the starting point for a narrative<br />

understanding <strong>of</strong> the BMGIM process. It was also shown how metaphor theory and<br />

narrative theory could connect BMGIM theory to current psychotherapeutic and<br />

psychological theories, enabling a dialogue and opening new theoretical vistas. In the<br />

overview <strong>of</strong> theories <strong>of</strong> music as analogy, metaphor and narrative it was shown how<br />

the cognitive metaphor theory <strong>of</strong> Lak<strong>of</strong>f and Johnson might serve as a common<br />

inspiration for the study <strong>of</strong> music and meaning in musicology and music therapy.<br />

323

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!