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Dissertation - World Federation of Music Therapy

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that cancer-related imagery emerged and were addressed without dominating the<br />

process, that core images emerged in all participants, and that narrative configuration<br />

could be found in the imagery <strong>of</strong> all participants.<br />

In sections 7.1 and 7.2 the therapeutic process <strong>of</strong> two participants was investigated in<br />

order to determine how the BMGIM therapy influenced their mood and quality <strong>of</strong> life.<br />

The decisive element in the therapeutic process was that core images and self images<br />

emerged and were configured in narrative episodes whose metaphors were<br />

understandable and meaningful. For these participants the primary outcome <strong>of</strong> the<br />

therapy was found in intrapersonal areas such as: finding hope, finding courage to<br />

confront problems instead <strong>of</strong> repressing them, thus activating inner resources enabling<br />

a creative exploration and rehearsal <strong>of</strong> new attitudes and strategies.<br />

Table 7. 8 A grounded theory proposal <strong>of</strong> image configuration types found in the<br />

therapeutic BMGIM process, based on the analysis <strong>of</strong> 6 participants’ musiclistening<br />

periods.<br />

226<br />

A series <strong>of</strong> 10 individual sessions is sufficient to stimulate the unfolding <strong>of</strong> a<br />

meaningful and rich variety <strong>of</strong> image types in all modalities.<br />

(Only exception from this are clients who have difficulties in using the music and<br />

imagery technique. In this case ANHO is such a client)<br />

Every client has her own, personal style <strong>of</strong> imagery, however:<br />

The music-listening periods unfold within a limited spectrum <strong>of</strong> types,<br />

as reflected in the following core categories:<br />

music-listening periods with complete narratives<br />

periods composed <strong>of</strong> narrative sequences<br />

periods dominated by bodily reactions<br />

periods with no or very little imagery<br />

mixed periods, composed <strong>of</strong> two ore more subcategories <strong>of</strong> experiences<br />

Most music-listening periods are a mix <strong>of</strong> two or three types <strong>of</strong> music-assisted<br />

imagery experiences, as reflected in the following subcategories:<br />

metaphorical fantasies<br />

explorative imagery

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