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Dissertation - World Federation of Music Therapy

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C1+t V<br />

(41-47) R<br />

V<br />

C2<br />

(47-50)<br />

After<br />

music<br />

R/E<br />

V/A/R<br />

V<br />

S/E<br />

R<br />

R<br />

V<br />

Modulation<br />

back to…<br />

Tonic F major<br />

and First theme<br />

in V2. The two<br />

soloists switch<br />

parts, but<br />

otherwise this is<br />

a perfect<br />

recapitulation.<br />

Second theme<br />

leads to the<br />

‘closing<br />

formula’<br />

Second motive<br />

in V2,<br />

accompanied by<br />

semiquaver<br />

obbligato ends<br />

the movement.<br />

43 It is flying out<br />

<strong>of</strong> my sight,<br />

becoming<br />

smaller and<br />

smaller, just a<br />

tiny spot in the<br />

sky. 44 Now it is<br />

gone, and so am<br />

I – being the<br />

pixy in the beak<br />

<strong>of</strong> the swallow.<br />

47 So that was<br />

the end <strong>of</strong> that<br />

story!<br />

[And how do<br />

you feel about<br />

that?]<br />

49 I have the<br />

same feeling as<br />

when finishing a<br />

book – a feeling<br />

<strong>of</strong> emptiness.<br />

Yes, like<br />

finishing a story,<br />

feeling empty<br />

di i d<br />

do open up and<br />

accept. [And you<br />

are worth it]. I<br />

must believe<br />

that.<br />

41 It is my task<br />

to believe that.<br />

45 (smiles)<br />

[What?] I<br />

suddenly had this<br />

inappropriate<br />

image <strong>of</strong> the<br />

stupid<br />

commercial<br />

”Because you are<br />

worth it.”<br />

47 And the<br />

image <strong>of</strong> the<br />

(Danish<br />

comedian) Finn<br />

Nørbygaard with<br />

one leg<br />

extended, saying,<br />

”Because I’m<br />

worth it”. Very<br />

inappropriate –<br />

with the<br />

beautiful music.<br />

Well, it shows<br />

that you can’t<br />

control your<br />

b i !<br />

furniture ... and<br />

people are spit<br />

out (smiles).<br />

[Anything<br />

more?] 45 Yes,<br />

flowers in pots,<br />

things from a<br />

dollhouse. It is<br />

alive, but...<br />

[A lot <strong>of</strong> things<br />

are let out here!]<br />

Certainly!<br />

48 Now I pass<br />

through the<br />

nostrils <strong>of</strong> the<br />

snake.<br />

I can stand and<br />

look through the<br />

eyes, see how the<br />

d h<br />

I just saw a<br />

green light.<br />

Like a traffic<br />

li h Y<br />

47 [How is it for<br />

you now?]<br />

I feel peace and<br />

calm.[Is anything<br />

preventing you<br />

from feeling<br />

that?] No, just a<br />

few tensions.<br />

[That’s OK.<br />

Would you like<br />

more music?]<br />

Yes.<br />

The transition back to<br />

tonic F is short and<br />

maybe a little surprising.<br />

However, the<br />

recapitulation is perfect,<br />

and the two soloists<br />

switch roles – as an<br />

extra manifestation <strong>of</strong><br />

their equality.<br />

The last episode is<br />

marked piano – like an<br />

indication <strong>of</strong> the episode<br />

being an ‘echo’ <strong>of</strong><br />

yearning quality – now<br />

when we are coming to<br />

an end.

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