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Dissertation - World Federation of Music Therapy

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that all participants addressed themes related to the meaning and outcome <strong>of</strong> the<br />

therapy. This will be further discussed in the following systematic content analysis<br />

that is undertaken as a grounded theory based investigation <strong>of</strong> how the participants<br />

described the experience and outcome <strong>of</strong> the BMGIM therapy. Three <strong>of</strong> the themes<br />

from the guide – “Filling out the questionnaires”, “Potential <strong>of</strong> GIM in other phases <strong>of</strong><br />

cancer treatment” and “Weekly/Biweekly sessions” will not be included in the<br />

analysis <strong>of</strong> this chapter, as they are concerned with participants’ reflections on setting<br />

and design and not with the experience <strong>of</strong> the therapeutic process. However, these<br />

issues and the material will be included in the discussion chapter (9).<br />

The second step was systematically processing the data through open and axial coding<br />

(see chapter 4), focusing on the meaning and outcomes <strong>of</strong> the music therapy as<br />

experienced and expressed spontaneously by the participants. This method is what the<br />

originators <strong>of</strong> Grounded Theory, Glaser and Strauss, called a ’constant comparative’<br />

process (Glaser and Strauss 1967 as quoted in Tesch 1990, p. 86): the researcher looks<br />

for significant similarities, differences, and patterns in the data material. I used colour<br />

codes to indicate the themes from the interview guide and then split the themes into<br />

meaning units or statements 51 . In this initial open coding (sub)categories were<br />

identified, based on properties like outcome description (types <strong>of</strong> outcome),<br />

elaboration <strong>of</strong> meaning (types <strong>of</strong> meaning), music description, and imagery<br />

description. Dimensionalization within categories could be generic, i.e. negative vs.<br />

positive effect, insight oriented vs. experiential, or more descriptive, i.e. enigmatic vs.<br />

clear.<br />

Examples <strong>of</strong> these initial categories drawn from the open coding are: <strong>Music</strong> therapy<br />

provides tools (for coping) – Improved self confidence – Stabilization <strong>of</strong> psyche –<br />

Finding strength – Changing focus for the future – Not scared by death any more –<br />

<strong>Music</strong> gives access to resources – <strong>Music</strong> is moving.<br />

“Once concepts begin to accumulate the analyst should begin the process <strong>of</strong> grouping<br />

them or categorizing them” (Strauss and Corbin 1995). This process is the axial<br />

51 I considered using qualitative computer analysis s<strong>of</strong>tware for the analysis, e.g. the NUD*IST<br />

package (Robson p. 497), however, I thought the material was manageable in a manual analysis, and I<br />

had done this type <strong>of</strong> analysis before, when s<strong>of</strong>tware was not avilable (see Jespersen 1987).<br />

168

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