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Dissertation - World Federation of Music Therapy

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• the courage to confront dangers and problems emerging in the imagery<br />

• the readiness to ask for and accept help in the imagery<br />

• the capacity to find ways out in conflict situations and find solutions to<br />

difficult problems in the imagery<br />

• the capacity to relate the imagery and the metaphors to the focus <strong>of</strong> the session<br />

and understand them as working tools in a psychological process <strong>of</strong><br />

exploration and elaboration.<br />

Both participants stated that they were not scared by even complex and dark<br />

metaphors. This means that they trusted the music and imagery process and had<br />

control over the imagery at a subconscious level.<br />

In order to investigate how the questionnaires might shed light on the developmental<br />

process, I will make a closer examination and comparison <strong>of</strong> the two participants’<br />

HADS scores from session to session. The purpose is to determine whether the<br />

development was gradual or random for the individual participant, and whether a<br />

developmental pattern can be observed. Fig. 7.5 and 7.6 show the Anxiety and<br />

Depression scores <strong>of</strong> the two participants.<br />

Figure 7. 5 HADS Anxiety scores for PIJØ and INLA<br />

14<br />

12<br />

10<br />

8<br />

6<br />

4<br />

2<br />

0<br />

HADS Anxiety scores: PIJØ and INLA<br />

1 2 3 4 5 6 7 8 9 10 11 12<br />

Data point 1 = pretest 2-10=sessions 2-10 11=<br />

Post-test 12= Follow-up<br />

INLA<br />

PIJØ<br />

219

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