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Dissertation - World Federation of Music Therapy

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Theoretical perspectives<br />

The potentials <strong>of</strong> BMGIM with cancer patients may be discussed from different<br />

theoretical perspectives, addressing specific treatment goals and levels <strong>of</strong><br />

interventions.<br />

Psychophysiological/Neurobiological BMGIM (and other combinations <strong>of</strong> music and<br />

imagery) may have a positive influence on the production <strong>of</strong> anti-stress hormones and<br />

may thus strengthen the immune system (Bunt 2000, Burns et al. 2001; Lane 1992;<br />

McKinney et al. 1995, 1997; Rider 1985, 1999; Scartelli 1992).<br />

Based on some <strong>of</strong> these and related studies Rider developed a theory <strong>of</strong><br />

'Homeodynamics' (Rider 1997) to explain why therapeutic interventions producing<br />

changes in EEG and physiological responses are beneficial to all bodily systems.<br />

According to this theory the effect <strong>of</strong> receptive music therapy is based on the<br />

production <strong>of</strong> effective neurological power shifts between the four brain wave<br />

frequency bands. A better balance between these bands and a more flexible capacity<br />

to shift between them is considered beneficial for immune responses and may thus<br />

result in beneficial effects on physical, emotional, cognitive and sociospiritual levels<br />

(Rider 1999). From a different theoretical perspective (Jungian analytical psychology)<br />

Kast (1990) also mentions the importance <strong>of</strong> psychological flexibility as it can be<br />

taught through imagery work.<br />

Psychological BMGIM is a psychotherapeutic intervention enabling the client to work<br />

experientially with his/her self-concept and life story in a metaphorical-symbolical<br />

and narrative from. Multi-modal imagery (visual, auditory, kinaesthetic), memories<br />

and emotions constitute a flexible psychological material enabling significant changes<br />

in coping strategies or transformations <strong>of</strong> negative and inhibiting scripts and self<br />

concepts. The theoretical understanding <strong>of</strong> this process is outlined in chapter 3.<br />

In the music therapy cancer literature three areas are considered <strong>of</strong> special importance<br />

for the coping and survival <strong>of</strong> patients (Dileo 1999b):<br />

1) optimistic or pessimistic explanatory styles (how are negative life events such as<br />

disease explained)<br />

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