Dissertation - World Federation of Music Therapy

still see some of
them...
B2 V The third motive 23 Now I 24 They say: 23 It was like ...it [ Allow yourself
(22-25) A
V
returns in
interplay, this
time a fifth
become a pixy, a
tiny pixy
climbing towards
’Open up and
accept it’ – can
you hear that?
wasn’t properly
fixed. It just fell
down. 25 Like if
to be moved by
the music]
higher. heaven on a big [I can]
it wasn’t
Continues with white braided
correctly
the fourth theme rope, larger than
connected.
(leaping myself.
octaves) 25 Now I climb
accompanied by
the obbligato in
V1.
it.
B3 V In this episode 27 A tiny, happy 26 [How is it for [How is that for
(26-30) R
V
the fourth
motive and
obbligato
pixy
indefatigably
climbing
you to hear
that?] It is
affirmative.
you?] 29 Now I
can fix it and
make it work. I
semiquaver upwards, even if 28 I think it is
turn it on, and
dialogues the end of the the most then it is like a
replace each rope is invisible. important thing I lot of steam is let
other. There is
have to learn. out.
some tension
29 I am not
towards a
supposed to give
cadence in the
all the time. I
last bar.
must also be able
to accept what
others give me
B4 +t V/R/E First theme 31 Now comes a 32 [It is OK to 32 [And now it
(31-36) R/M
V
returns, in V2,
now in a minor,
d
swallow – a
swallow of prey,
if h i I
accept?] Yesalmost
a task in
i lf
works?] Yes, the
steam is coming
i
This is even intensified
here, as the third motive
appears a fifth higher.
This episode with the
fourth theme has more
the character of
‘fortspinnung’: the
dialogue moves on, but
without important new
information.
This might be
experienced as a
recapitulation, as the
i d i l