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Dissertation - World Federation of Music Therapy

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The analysis <strong>of</strong> the unfolding imagery – or ‘events’ – may be done either vertical, i.e.<br />

following the imagery <strong>of</strong> one client, or horizontal, i.e. making comparisons between<br />

the clients within the episode.<br />

Vertical observations <strong>of</strong> the imagery <strong>of</strong> six clients.<br />

INLA initially focuses on the music and its features. A1->B1: She describes the mood<br />

<strong>of</strong> the music, which she likes, and allows herself to react spontaneously and bodily on<br />

the music. From the perceived beauty develops a feeling <strong>of</strong> lightness and freedom.<br />

When the music changes in B2->B3 she is silent, and then follows an image <strong>of</strong> a<br />

dancing couple (B4). However, INLA also recognizes other moods, which she<br />

identifies as melancholy (sadness) (B5, first part) and aggression (B5, second part).<br />

The Calando (B6) is recognized as a calm transition, and during the recapitulation<br />

(A’) she experiences a sequence <strong>of</strong> Fall imagery with clear metaphoric significance:<br />

In C1 the image <strong>of</strong> a naked maple tree leads to reflections <strong>of</strong> decay, in C2 INLA<br />

identifies with the tree and in C3 she confronts herself with thoughts <strong>of</strong><br />

death/hibernation and rebirth/Spring renewal. C4 brings an acceptance and<br />

recognition <strong>of</strong> this life cycle; a reconciliation with aspects <strong>of</strong> sadness, death and loss.<br />

ESMA is taken to ‘her beach’ by the induction and the music. A sequence <strong>of</strong><br />

associations and memories follows: The fresh air at the salty inlet (fjord) (A3), the<br />

difficulties and danger connected to any attempt to cross the river (B2->B3), a boat<br />

race with a whole ‚armada’ <strong>of</strong> old sailboats (B4), reflections on the music that<br />

produces an ‚impetus to the movement’ (B5). In the recapitulation ESMA finds<br />

shelter for the stiff winds in a nearby plantation (C1) where she reflects on the<br />

polarity stiff s<strong>of</strong>t in the music (and in the winds <strong>of</strong> the beach). In the pause before<br />

the next music selection (Bach’s Double Concerto, 2nd movement) she declares that<br />

she feels fine and calm.<br />

PIJØ follows the induction image – being at the sea. In the first sequence <strong>of</strong> her<br />

journey (->B2) she experiences a sunset at a well-known beach, with much light and<br />

many colours. When the music changes (B2->B5) she reports on being in a<br />

sentimental mood and being alone, which she accepts even if it is obvious that she<br />

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