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Dissertation - World Federation of Music Therapy

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In this study, I have used the third option, anchored in a non-positivist – or more precisely:<br />

post-positivist paradigm, acknowledging the world <strong>of</strong> human beings as a world <strong>of</strong> multiple<br />

realities, and focusing on the personal experiences <strong>of</strong> the participants. However, I think I can<br />

see why readers might come to a different conclusion – perceiving the study as belonging to<br />

one <strong>of</strong> the first two options: the use <strong>of</strong> the word “effect” (or “outcome”) in some <strong>of</strong> the<br />

research sub-questions, the different reporting styles, and the order <strong>of</strong> reporting (in chapters 5-<br />

8) seem to send the signals <strong>of</strong> a positivist paradigm and a cause-effect focus. I certainly have<br />

defined some (or selected some defined) variables for the quantitative investigation, which<br />

was based upon the participants’ self reports in well-known questionnaires. This was not done<br />

with the intention <strong>of</strong> proving something like ‘the truth about BMGIM as a cause to certain<br />

effects on the participants’ mood and QoL’, and there was no experimental control <strong>of</strong><br />

variables, only the pragmatic use <strong>of</strong> standardized questionnaires, descriptive and inferential<br />

statistics. The BMGIM therapy setting was naturalistic, which I consider a conditio sine qua<br />

non <strong>of</strong> post-positivist research, and the inclusion <strong>of</strong> a small quantitative investigation was<br />

made in order to secure not only a dialogue with the participants on their views on such self<br />

reports, but also – and more important – a dialogue with pr<strong>of</strong>essionals from medical oncology<br />

who may not share the tenets <strong>of</strong> a post-positivist paradigm but who has a legitimate right to<br />

demand certain types <strong>of</strong> ‘evidence’ from research in little known complementary therapies.<br />

The interview study revealed the ambivalence <strong>of</strong> most <strong>of</strong> the participants towards the<br />

standardized definitions <strong>of</strong> mood and especially QoL, and this is not very surprising. Quality<br />

<strong>of</strong> life is a very personal issue. This points at an inherent paradox in most post-positivist<br />

research in hospitals, I think: The (music therapy) researcher wants to document certain<br />

aspects <strong>of</strong> the participants’ experience, focusing on meaning; while the oncologist wants<br />

documentation <strong>of</strong> specific effects <strong>of</strong> the therapeutic intervention, focusing on measurable<br />

outcome. Bruscia (1995) addresses the issue <strong>of</strong> the ‘audience’ and its interests and demands.<br />

He describes the consequences <strong>of</strong> a researcher’s wish to provide “pro<strong>of</strong> or evidence” or<br />

“holistic understanding” – the researcher must choose either a quantitative or a qualitative<br />

approach. A researcher should be able to address both types <strong>of</strong> audience in one study without<br />

falling into the paradigmatic trap. In the first brief report on this study (Bonde 2003) – to the<br />

funding agency – the quantitative audience was primary, and thus results reported as<br />

descriptive statistics were in the forefront, while qualitative results were preliminary and only<br />

reported in outline – with the promise <strong>of</strong> a much deeper analysis in the dissertation. In the<br />

dissertation I have tried to keep this promise.

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