Dissertation - World Federation of Music Therapy

A5+t
(14-16)
B1+t
(17-21)
R
S
S
R
V
S/M
Second theme in
V2, ending with
the first ‘closing
formula’ (in F,
the tonic)
A new, third
motive is heard
in an immediate
interplay
between the
soloists. This
section is more
dynamic and
supported by the
‘organ point’ of
the continuo.
It is smoothly
continued in the
second motive,
accompanied by
the obbligato,
and ending with
the ‘closing
formula’.
15 It is important
that I am alone
up there. I am in
my own world,
exploring the
element. But I
am not lonely.
20 This is music
for drifting!
15 It’s a little
hard to do that...
[What makes it
hard?] ***
18 Now I did it.
[And then what
happened?]
[Could you
imagine the
music helping
you to find a
way?] (No
answer, but the
body moves)
[How is it for
you to hear this
music again?]
17 [Be
confident in
that there is an
opening
somewhere]
17 I try to
imagine that
my body is still
dancing, in
long, drawn out
movements...
And at the
same time I
have images of
old friends. We
listened very
much to this
kind of music.
This is a little
sad, as I don’t
see all of them
any more. But I
The yearning ‘seufzer’
theme returns, and the
first section is brought
to a clear conclusion by
a typically baroque
cadence.
The new theme with its
upwards leading
gestures and the close
imitations brings energy
and dynamic flow to the
music.