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Dissertation - World Federation of Music Therapy

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Element Brahms: Violin concerto -<br />

slow movement<br />

4 Rhythmic features<br />

4.1 Underlying rhythm Consistent - except during<br />

Underlying pulse solo violin cadenza passages<br />

4.2 Important rhythmic Feature in main theme,<br />

motifs<br />

2.part<br />

4.3 Repetition in motifs When main theme repeated,<br />

+ when rhytmic motives are<br />

repeated<br />

4.4 Variability in rhythm<br />

- predictable/unpredictable<br />

Brahms: German Requiem<br />

- Part 1<br />

Consistent<br />

Feature in middle section<br />

Feature <strong>of</strong> 1st phrase <strong>of</strong><br />

middle section<br />

Not so evident<br />

Evident in the repeat in<br />

orchestra and voices<br />

Bach: Double concerto –<br />

slow movement<br />

Consistent<br />

Feature throughout<br />

(rhythmic imitations)<br />

Many repetitions and<br />

dialogues<br />

Mostly predictable Predictable Predictable<br />

4.5 Syncopation Only bar 54-55 In oboe part and soprano<br />

line<br />

Not a feature<br />

5. Tempo<br />

5.1 Fast/slow/moderato Adagio throughout Ziemlich langsam Largo, ma non tanto<br />

5.2 Alterations in tempo Many ritardandos and<br />

accelerandos<br />

None None.<br />

6. Tonal features<br />

6.1 Tonal structure Diatonic Diatonic Diatonic<br />

6.2 Major/min<br />

Minor section from bar 56 Alternates throughout Mostly major, but also<br />

alternations<br />

Predominantly major episodes in minor<br />

6.3 Chromaticism In transition phrases Evident at modulation Not a feature<br />

(orchestra)<br />

points<br />

6.4 Modulation points Predictable – however one One particularly rich Predictable and<br />

unpredictable point bar 42 modulation point at 100-102 smooth<br />

(Table continues overleaf)

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