Dissertation - World Federation of Music Therapy

B5
(37-39)
B6
(39-41)
answered
tonally by V1
and ending with
the ‘closing
formula’.
V/R Interplay of
R/M
V
R
R
V
semiquaverphrases
replaced
by third motive.
…. continued,
but also
including the
fourth motive.
if that exists. It
grasps the pixy –
whoosh, like a
flash – 35 The
swallow is
yellow, just like
loneliness
before. So
loneliness is
coming up, of
course, I know it
does. And that’s
how I feel it. It is
too stupid to
believe that I can
just climb...
... into heaven.
38 To God or
whoever resides
there. I don’t
kick so much
about, I accept
that the swallow
has grasped my
in its beak.
40 I wonder
where it is taking
me....
itself.
34 [Is anything
preventing you
from accepting?]
No.
36 I think that
earlier in my life
I considered it a
sign of
weakness.
[If you relate
’accepting’ to the
story of your
mother-in-law I
can understand
it. She ’accepted’
– but not the
right way.] No
she was
demanding – and
that’s not the
way.
[And it is not
your way]
Maybe it was my
way. But now I
– in many
different colours.
The steam rises
up, fine colours.
37 It fills the
entire room. [So
you made the
machine work?]
Mmm.
41 It is like...
through the
steam a lot of
tiny... well,
minor mode is gentle
and soft. However, the
episode is quickly
closed by the ‘formula’.
Energy and a little
tension come back with
the third motive and the
close interplay of the
soloists.