Dissertation - World Federation of Music Therapy

LIST OF APPENDICES
LIST OF APPENDICES.................................................................................................................... 413
APPENDIX 4.1 DATA ON SIX PARTICIPANTS AND THEIR GIM PROCESSES. .............................................. 415
APPENDIX 4.2 PATIENTINFORMATION (IN DANISH) ................................................................................ 419
APPENDIX 4.3 THE HADS QUESTIONNAIRE ........................................................................................... 421
APPENDIX 4.4 THE EORTC QLQ-C30 QUESTIONNAIRE........................................................................ 425
APPENDIX 4.5 ANTONOVSKY’S SOC QUESTIONNAIRE ........................................................................... 426
APPENDIX 5.1 QLQ-C30 PROFILES OF SIX PARTICIPANTS ..................................................................... 428
APPENDIX 6.1 INTERVIEW-GUIDE........................................................................................................... 432
APPENDIX 6.2 FIRST SET OF IMAGERY CATEGORIES............................................................................... 433
APPENDIX 6.3 (MISSING) ........................................................................................................................ 434
APPENDIX 6.4 INTERVIEWS WITH THE PARTICIPANTS (TRANSCRIPTIONS)............................................... 436
Appendix 6.4.1 Interview med INLA 26.5.2003 ............................................................................... 436
Appendix 6.4.1b Interview with INLA (Translation LOB) ................................................................ 446
Appendix 6.4.2a Interview med PIJØ 6.5. 2003............................................................................... 456
Appendix 6.4.2b Interview with PIJØ (Translation LOB)................................................................. 462
Appendix 6.4.3 Interview med ESMA 9.5.2003................................................................................ 469
Appendix 6.4.4 Interview med ANHO 19.5.03 ................................................................................. 481
Appendix 6.4.5 Interview SAAA 11.5.2003 ....................................................................................... 489
Appendix 6.4.6 Interview med WIFU 17.5.2003 .............................................................................. 496
APPENDIX 8.1 OVERVIEW OF MUSIC SELECTIONS USED IN ALL SESSIONS......................... 504
APPENDIX 8.2 SESSION NOTES (6 PARTICIPANTS)................................................................................... 510
Appendix 8.2.1a. Session notes PIJØ (Danish)................................................................................. 511
Appendix 8.2.1b Session notes PIJØ (English) ................................................................................. 518
Appendix 8.2.2a Session notes INLA (in Danish) ............................................................................. 525
Appendix 8.2.2b Session notes INLA (English)................................................................................. 531
Appendix 8.2.3 Session notes ESMA (in Danish).............................................................................. 538
Appendix 8.2.4 Session notes ANHO (in Danish) ............................................................................. 543
Appendix 8.2.5 Session notes SAAA (in Danish)............................................................................... 548
Appendix 8.2.6 Session notes WIFU (in Danish) .............................................................................. 552
APPENDIX 8.3 BRUSCIA. “THE DOOR” /LEVELS OF TRAVELLING....................................................... 558
APPENDIX 7.4 MINI-WORKSHOP – RESEARCHING MUSIC AND/OR IMAGERY ...................... 559
APPENDIX 8.5 SCORE + IMAGERY TRANSCRIPTS BRAHMS (EXAMPLE) ................................................... 560
APPENDIX 8.6 PHENOMENOLOGICAL MUSIC DESCRIPTION ..................................................... 562
APPENDIX 8.7 BACH: KOMM SÜSSER TOD.............................................................................................. 564
APPENDIX 8.8 ANALYSIS OF SELECTED MOVEMENTS USING THE SMMA .............................................. 567
APPENDIX 8.9 HEVNER’S MOOD WHEEL................................................................................................ 576
APPENDIX 9.1 TYPES OF CLINICAL RELEVANCE OF MUSIC THERAPY RESEARCH ..................................... 577
APPENDIX 9.2 GROCKE’S CATEGORIES OF EXPERIENCE IN GIM ............................................................ 579
413