Dissertation - World Federation of Music Therapy

10 Timbre and quality of instrumentation
10.1 Vocal/SATB none SATB none
10.2 Instrumental solo Solo oboe and solo violin -
some solo roles for flute,
clarinet, bassoon and horn
10.3 Instrumental - orch. Mostly woodwinds or
strings, only full orchestra in
selected episodes
10.4 Small group Strings often without bass
no solo vocal line
-small solo part for oboe
Two solo violins,
equally important
Full orchestra Small string orchestra
SATB unaccompanied Continuo:
Harpsichord +
cello/bass
Only strings and
10.5 Instrument groups Woodwinds vs. strings Four-part choral work with
orchestra.
continuo
10.6 Interplay Dialogue between solo Dialogue between choir and Dialogue between the
oboe/solo violin and orch, orchestra, and between each solo violins.
between obo and violin (C1).
Call-response patterns
between solo and solowoodwinds
of the vocal parts
10.7 Layering Solo violin creates ethereal Layering through the four Bass instruments form
layer two times: before
fermata and at Calando
part vocal line
a specific bass line.
10.8 Resonance -
high/low
High in solo violin High in choir ???
(Table continues overleaf)