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Dissertation - World Federation of Music Therapy

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was that core images did emerge and were configured into meaningful episodes,<br />

because this enabled the participants to explore and work with their therapeutic issues<br />

at an emotional and embodied level. Both participants gave examples <strong>of</strong> how new<br />

insights from the therapy were transformed into new types <strong>of</strong> action in their daily<br />

lives.<br />

Formulated as an analogical generalization, the BMGIM client’s ability and readiness<br />

to acknowledge (“own”), understand (“interpret”) and process (“use”) the imagery<br />

experienced in the music listening periods is a crucial factor in the activation <strong>of</strong> the<br />

will to change. Bruscia (1996) has given a both poetic and precise metaphoric<br />

description <strong>of</strong> how clients may deal with metaphors in the music travel (“The Door”,<br />

appendix 8.3). A more prosaic characterisation <strong>of</strong> the client’s attitude towards the<br />

imagery may include the following types (going from therapeutically unproductive to<br />

productive)<br />

Table 9. 1 Evaluation <strong>of</strong> Responses to Imagery in Clients<br />

• The client rejects the imagery as futile or meaningless.<br />

• The client is sceptical and unwilling to adopt the imagery<br />

• The client appeals to the therapist for help to understand and adopt the imagery<br />

• The client adopts the imagery and is willing to work to understand and integrate it<br />

in collaboration with the therapist<br />

• The client adopts the imagery, understands it intuitively and can relate it to the<br />

focus<br />

The open and daring attitude <strong>of</strong> the last type <strong>of</strong> client attitude is present in some<br />

clients from the beginning. With others it must be gradually established, and the<br />

‘types’ may also describe ‘stages’ in the therapeutic process. A successful process<br />

demands that the client takes responsibility for the imagery and its messages. Only in<br />

this way can intrapersonal changes experienced in the imagery be transformed into the<br />

development <strong>of</strong> coping mechanisms and changing inappropriate scripts – which is<br />

how the outcome <strong>of</strong> the therapy gradually appears in the interpersonal relationships.<br />

Because <strong>of</strong> the emergence <strong>of</strong> this very important aspect from the results <strong>of</strong> this study,<br />

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