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A Handbook for Teaching and Learning in Higher Education Enhancing academic and Practice

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<strong>Teach<strong>in</strong>g</strong>, supervis<strong>in</strong>g, learn<strong>in</strong>g<br />

The role of teachers <strong>and</strong> the curriculum<br />

There are many opportunities <strong>for</strong> support<strong>in</strong>g students <strong>in</strong> their learn<strong>in</strong>g through teachers<br />

recognis<strong>in</strong>g <strong>and</strong> monitor<strong>in</strong>g the approaches to study be<strong>in</strong>g taken. This is as much to do<br />

with creat<strong>in</strong>g an ethos between tutor <strong>and</strong> student as it is about us<strong>in</strong>g specific methods.<br />

Students should feel that they can admit to need<strong>in</strong>g support without risk<strong>in</strong>g the tutor’s<br />

disapproval, although this does not mean that it is appropriate <strong>for</strong> tutors to be available<br />

<strong>for</strong> their students all the time. Set aside specific times when you can be available <strong>and</strong><br />

advertise these to the students. Support may also be given via e-mail or through<br />

discussion groups on the VLE.<br />

The design of the curriculum is an essential aspect of support<strong>in</strong>g student learn<strong>in</strong>g. The<br />

follow<strong>in</strong>g are some of the key pr<strong>in</strong>ciples of course design that supports student learn<strong>in</strong>g:<br />

• Beg<strong>in</strong> where the students are: match course content to the knowledge <strong>and</strong> skills of the<br />

<strong>in</strong>take. Course content is sometimes regarded as sacrosanct but it is po<strong>in</strong>tless teach<strong>in</strong>g<br />

content that students are not ready to receive. Students must be challenged <strong>and</strong><br />

stretched, but the start<strong>in</strong>g po<strong>in</strong>t needs to reflect their current level of underst<strong>and</strong><strong>in</strong>g.<br />

• Make skill development <strong>in</strong>tegral to the curriculum. Do not assume that skills already<br />

exist. Make space <strong>for</strong> skills to be acquired <strong>in</strong> a risk-free environment.<br />

• Pay attention to learn<strong>in</strong>g processes <strong>and</strong> not simply to the content or products. Design<br />

<strong>in</strong> the steps that students need to be taken through to get them to the desired learn<strong>in</strong>g<br />

outcome.<br />

• Demonstrate the valu<strong>in</strong>g of different cultures by build<strong>in</strong>g on students’ own<br />

experience wherever possible. Knowledge <strong>and</strong> values cannot be taken <strong>for</strong> granted as<br />

higher education becomes more <strong>in</strong>ternationalised. Be on the lookout <strong>for</strong> cultural<br />

assumptions reflected <strong>in</strong> the curriculum <strong>and</strong> allow <strong>for</strong> alternative ‘voices’ to be heard.<br />

• Avoid content <strong>and</strong> assessment overload which is liable to produce a surface approach<br />

to learn<strong>in</strong>g (see Chapter 2).<br />

Useful texts that elaborate on these ideas are Biggs (2003) <strong>and</strong> Ramsden (2003).<br />

Subject-specific skills<br />

Each subject has its own set of specialist skills <strong>and</strong> processes that students need to be able<br />

to use. These need to be identified <strong>and</strong> students given the opportunity to develop <strong>and</strong><br />

practise them. Examples of subject-specific skills <strong>in</strong>clude laboratory techniques, use of<br />

statistical methods, <strong>in</strong>terpretation of texts, per<strong>for</strong>mance <strong>and</strong> mak<strong>in</strong>g skills <strong>in</strong> the arts,<br />

<strong>in</strong>vestigative skills/methods of enquiry, field <strong>in</strong>vestigations, data <strong>and</strong> <strong>in</strong><strong>for</strong>mation<br />

process<strong>in</strong>g/IT, <strong>and</strong> professional skills (SEEC, 2002).<br />

It is important to recognise that <strong>academic</strong> writ<strong>in</strong>g is also a subject-specific skill. The<br />

types of writ<strong>in</strong>g dem<strong>and</strong>ed by <strong>academic</strong>s reflect a variety of specialist genres. For<br />

example, essays required by each discipl<strong>in</strong>e have developed as part of the ‘community<br />

of practice’ (Wenger, 1998) of each subject <strong>and</strong> reflect subtle differences <strong>in</strong> the ways <strong>in</strong>

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