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A Handbook for Teaching and Learning in Higher Education Enhancing academic and Practice

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The visual arts<br />

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of an artist or designer (po<strong>in</strong>t 11 above). There is an <strong>in</strong>creas<strong>in</strong>g focus now not only on skills<br />

<strong>for</strong> employability, but on entrepreneurial skills (see Chapter 8). In practice, there is no<br />

clear division between skills <strong>for</strong> employability <strong>and</strong> skills <strong>for</strong> entrepreneurship. Be<strong>in</strong>g an<br />

entrepreneur does not necessarily mean prioritis<strong>in</strong>g f<strong>in</strong>ancial success over other goals<br />

<strong>and</strong> it is possible to be an ethical entrepreneur. The skills of entrepreneurship are as<br />

relevant to someone <strong>in</strong> employment as they are to someone who runs their own bus<strong>in</strong>ess.<br />

Students <strong>in</strong> creative arts subjects need to be enterpris<strong>in</strong>g to maximise their abilities <strong>and</strong><br />

create opportunities <strong>for</strong> employment.<br />

There is no def<strong>in</strong>itive list of the skills which <strong>in</strong>crease employability, or the ability to run<br />

a bus<strong>in</strong>ess, but skills which are frequently cited <strong>in</strong> this context <strong>in</strong>clude:<br />

• adaptability;<br />

• be<strong>in</strong>g proactive;<br />

• communication skills;<br />

• confidence;<br />

• emotional <strong>in</strong>telligence;<br />

• f<strong>in</strong>ancial acumen;<br />

• flexibility;<br />

• network<strong>in</strong>g;<br />

• opportunism;<br />

• problem-solv<strong>in</strong>g;<br />

• project management;<br />

• resourcefulness;<br />

• self-efficacy;<br />

• self-management;<br />

• self-sufficiency;<br />

• team work<strong>in</strong>g abilities;<br />

• vision.<br />

Although the practical <strong>and</strong> experiential learn<strong>in</strong>g (see Chapter 2) provided by a visual<br />

arts education offers plentiful opportunities <strong>for</strong> these skills to be developed, students<br />

will need to be rem<strong>in</strong>ded that they are acquir<strong>in</strong>g them while they undertake other<br />

learn<strong>in</strong>g opportunities. Often these skills are tacitly acquired, <strong>and</strong> it is helpful to<br />

emphasise exactly what engagement <strong>in</strong> practice requires <strong>and</strong> what has been learned.<br />

Maximis<strong>in</strong>g the learn<strong>in</strong>g opportunities has to be eng<strong>in</strong>eered through curriculum<br />

plann<strong>in</strong>g. Personal Development Plann<strong>in</strong>g (PDP) is the sector-wide process <strong>for</strong><br />

this. PDP is a structured <strong>and</strong> supported process through which <strong>in</strong>dividuals reflect<br />

upon their learn<strong>in</strong>g, experiences <strong>and</strong> per<strong>for</strong>mance <strong>and</strong> plan <strong>for</strong> the future. It is situated<br />

<strong>in</strong> social, personal, <strong>academic</strong> <strong>and</strong> work-related doma<strong>in</strong>s <strong>and</strong> encompasses the whole<br />

person, acknowledg<strong>in</strong>g the <strong>in</strong>dividuality of learners. It should be student owned <strong>and</strong><br />

student led.

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