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A Handbook for Teaching and Learning in Higher Education Enhancing academic and Practice

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The visual arts<br />

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357<br />

All these tasks had previously been done by the staff. Look<strong>in</strong>g at all aspects of the<br />

project made the tutors aware of not only how complex the project is but also<br />

what a rich learn<strong>in</strong>g experience it offers. The team tasks were advertised as jobs<br />

with a list of skills required. Students were asked to sign up <strong>for</strong> a team, tak<strong>in</strong>g <strong>in</strong>to<br />

careful consideration what skills they wished to develop. Each team had a tutor<br />

to support its role. Once the teams were briefed they were given an ‘Indigo Journal’<br />

to log all <strong>in</strong><strong>for</strong>mation such as meet<strong>in</strong>gs <strong>and</strong> time plans. This record provided a<br />

source to refer back to after the completion of the project when students are<br />

brief<strong>in</strong>g the year below them to undertake the Indigo project aga<strong>in</strong>. Mentor<strong>in</strong>g of<br />

the year below is a key way <strong>in</strong> which susta<strong>in</strong>ability is built <strong>in</strong>: students become<br />

knowledgeable <strong>and</strong> <strong>in</strong> turn can support others. This adds to their own ongo<strong>in</strong>g<br />

learn<strong>in</strong>g <strong>and</strong> reflection on the skills required to become professional designers.<br />

The team tasks gave students the opportunity to extend, develop or even discover<br />

new skills that would otherwise go untapped. Student feedback was positive<br />

about teamwork <strong>and</strong> the experience of see<strong>in</strong>g themselves as textile designers<br />

with<strong>in</strong> a professional arena:<br />

• ‘I realised my strengths lay <strong>in</strong> sell<strong>in</strong>g, not <strong>in</strong> design.’<br />

• ‘I was able to practise another language <strong>and</strong> improve my <strong>in</strong>terpersonal skills<br />

<strong>and</strong> work with other students.’<br />

• ‘I don’t normally tell people what to do, I worked with people I don’t know<br />

very well.’<br />

• ‘Everyone played a part <strong>in</strong> the organisation of the event.’<br />

• ‘I enjoyed be<strong>in</strong>g part of a team <strong>and</strong> know<strong>in</strong>g I was help<strong>in</strong>g towards the show.’<br />

• ‘Paris rocks!’<br />

(Melanie Bowles, Senior Lecturer, Textiles,<br />

Chelsea College of Art <strong>and</strong> Design, University of the Arts London)<br />

Interrogat<strong>in</strong>g practice<br />

How can you maximise the learn<strong>in</strong>g opportunities <strong>for</strong> personal <strong>and</strong><br />

professional development <strong>in</strong> the curriculum? How can you encourage<br />

students to see how essential these skills are <strong>in</strong> relation to the practice?<br />

Writ<strong>in</strong>g <strong>in</strong> the visual arts<br />

As <strong>in</strong>dicated above (po<strong>in</strong>t 10), writ<strong>in</strong>g <strong>in</strong> the visual arts can be difficult territory. This is<br />

partly because a relatively high proportion of students <strong>and</strong> tutors have specific learn<strong>in</strong>g

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