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A Handbook for Teaching and Learning in Higher Education Enhancing academic and Practice

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Curriculum design <strong>and</strong> development<br />

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43<br />

outcomes have been <strong>for</strong>gotten. This is the learn<strong>in</strong>g that can be drawn upon <strong>in</strong> other <strong>and</strong><br />

new contexts.’<br />

An (<strong>in</strong>tended) learn<strong>in</strong>g outcome is an objective of the module or programme be<strong>in</strong>g<br />

studied. An objective is a succ<strong>in</strong>ct statement of <strong>in</strong>tent. It signifies either a desired outcome<br />

to be achieved <strong>and</strong>/or a process that should be undertaken or experienced. Objectives can<br />

thus focus on outcomes/processes or a blend of each. An outcome usually comprises a<br />

verb <strong>and</strong> a context. An example of a subset of learn<strong>in</strong>g outcomes <strong>in</strong> a first-year theology<br />

module at the University of Auckl<strong>and</strong> is shown below.<br />

Upon completion of this module students should be able to:<br />

• demonstrate their knowledge of a process of practis<strong>in</strong>g theology contextually;<br />

• identify numerous sources, <strong>in</strong>clud<strong>in</strong>g the Treaty of Waitangi, <strong>for</strong> the practice of<br />

theology;<br />

• evaluate differences <strong>in</strong> types of sources <strong>and</strong> start<strong>in</strong>g po<strong>in</strong>ts <strong>in</strong> theology <strong>and</strong> how they<br />

are used <strong>in</strong> theologis<strong>in</strong>g or theological reflection;<br />

• undertake a simple theological process around a chosen topic.<br />

In a second-year Bachelor of F<strong>in</strong>e Arts module, the follow<strong>in</strong>g learn<strong>in</strong>g outcomes are<br />

presented to students.<br />

At the end of this module students are expected to be able to:<br />

• demonstrate an awareness of the broad historical, theoretical <strong>and</strong> contextual<br />

dimensions of the discipl<strong>in</strong>e(s) studies, <strong>in</strong>clud<strong>in</strong>g an awareness of current critical<br />

debates <strong>in</strong> their discipl<strong>in</strong>e(s);<br />

• demonstrate an ability to critically analyse <strong>and</strong> evaluate art <strong>and</strong>/or design work;<br />

• <strong>for</strong>mulate <strong>in</strong>dependent judgements;<br />

• articulate reasoned arguments through review, reflection <strong>and</strong> evaluation;<br />

• demonstrate an awareness of issues that arise from the artist’s or designer’s relationship<br />

with audiences, clients, markets, users, consumers <strong>and</strong>/or participants.<br />

Interrogat<strong>in</strong>g practice<br />

Consider your general aim/s <strong>for</strong> a module you are teach<strong>in</strong>g. Write specific<br />

learn<strong>in</strong>g outcomes <strong>for</strong> this course: what do you want students to learn?<br />

<strong>Learn<strong>in</strong>g</strong> outcomes should be pitched at the right level so as to specify the complexity<br />

<strong>and</strong>/or significance of the situation <strong>in</strong> which the learner is expected to demonstrate the<br />

behaviour. An issue many <strong>academic</strong>s struggle with is pitch<strong>in</strong>g the learn<strong>in</strong>g outcomes<br />

<strong>in</strong> accordance with levels of ability. The writ<strong>in</strong>g of learn<strong>in</strong>g outcomes should reflect

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