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In pursuing the goal, there must be seemingly insurmountable obstacles. If

it doesn’t seem impossible for the hero to get what they want, people won’t care

as much. Our primary goal as storytellers is to elicit emotion, and you can’t do

that without conflict.

Michael Hauge showed me the patterns of conflict that are consistent with

almost all Hollywood movies. There are five turning points that create the

emotion in almost all films. As you review each one, think about every movie

you’ve seen and how they fit into these five turning points of conflict.

1. The New Opportunity After you share the character’s

backstory, some event causes the character to physically leave

where they are and start the journey. This new opportunity is what

sets them off to achieve their desires. This leads our hero into a

new situation that seems good at first, until they move into

turning point #2.

2. Change of Plans At some point, the original desire will

transform into a very specific, visible goal with a clearly defined

end point. This is where the hero’s outer motivation is revealed.

From here, they will start to make progress toward that goal, until

they hit turning point #3.

3. Point of No Return At this point, the hero must fully commit

to reaching the goal. Up to this point, they’ve had opportunities to

turn back. But something happens here that makes this a do-or-die

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