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Selecciones - Webs

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142<br />

Part Three Analyzing the Communication Process<br />

Belch: Advertising and<br />

Promotion, Sixth Edition<br />

III. Analyzing the<br />

Communication Process<br />

5. The Communication<br />

Process<br />

© The McGraw−Hill<br />

Companies, 2003<br />

to deliver its message. However, the product name and picture help communicate a feeling<br />

of attraction and fascination between the man and woman shown in the ad.<br />

To better understand the symbolic meaning that might be conveyed in a communication,<br />

advertising and marketing researchers have begun focusing attention on semiotics,<br />

which studies the nature of meaning and asks how our reality—words, gestures, myths,<br />

signs, symbols, products/services, theories—acquire meaning. 3 Semiotics is important<br />

in marketing communications since products and brands acquire meaning through the<br />

way they are advertised and consumers use products and brands to express their social<br />

identities. Consumer researcher Michael Solomon notes: “From a semiotic perspective,<br />

every marketing message has three basic components: an object, a sign or symbol and<br />

an interpretant. The object is the product that is the focus of the message (e.g., Marlboro<br />

cigarettes). The sign is the sensory imagery that represents the intended meanings of the<br />

object (e.g., the Marlboro cowboy). The interpretant is the meaning derived (e.g.,<br />

rugged, individualistic, American).” 4<br />

Marketers may use individuals trained in semiotics and related fields such as cultural<br />

anthropology to better understand the conscious and subconscious meanings the<br />

nonverbal signs and symbols in their ads transmit to consumers. For example, Levi<br />

Strauss & Co.’s former agency, TBWA/Chiat/Day, hired a cultural anthropologist to<br />

help it better understand the image and meaning of clothing and fashion among young<br />

consumers. As part of the process, the agency research team recruited hip-looking<br />

young people in the streets of the East Village section of New York City, an area<br />

picked because they felt it is the best reflection of today’s youth life. Those chosen<br />

were handed a piece of red cardboard and a white marker and asked to “write down<br />

something you believe in; something that’s true about you or your world.” The process<br />

provided the agency with insight into the teen market and was the impetus for an ad<br />

campaign featuring teenagers holding placards inscribed with their philosophical messages.<br />

5 Exhibit 5-3 shows the thinking behind the various elements of one of the ads<br />

used in the campaign as explained by Sean Dee, the director of the Levi’s brand.<br />

Some advertising and marketing people are skeptical about the value of semiotics.<br />

They question whether social scientists read too much into advertising messages and<br />

are overly intellectual in interpreting them. However, the meaning of an advertising<br />

Exhibit 5-3 Semiotic analysis is used to describe the various elements of this Levi’s ad

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