11.01.2013 Views

Selecciones - Webs

Selecciones - Webs

Selecciones - Webs

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

184<br />

Part Three Analyzing the Communication Process<br />

Belch: Advertising and<br />

Promotion, Sixth Edition<br />

Figure 6-5 Relationship<br />

between fear levels and<br />

message acceptance<br />

III. Analyzing the<br />

Communication Process<br />

6. Source, Message, and<br />

Channel Factors<br />

© The McGraw−Hill<br />

Companies, 2003<br />

other hand, often hesitate to use comparison ads, as most believe they have little to gain<br />

by featuring competitors’ products in their ads. There are exceptions, of course; Coca-<br />

Cola resorted to comparative advertising in response to challenges made by Pepsi that<br />

were reducing Coke’s market share.<br />

Another area where comparative messages are quite commonly used is political<br />

advertising. Political advertising is viewed as an important component of political<br />

speech and thus enjoys more First Amendment protection than commercial speech and<br />

less regulation by either government or self-policing agencies. Thus, it has become<br />

quite common for political ads to contain negative, one-sided attacks on an opposing<br />

candidate’s weaknesses such as character flaws, voting record, public misstatements,<br />

broken promises, and the like. 53 The goal of these ads is to discredit the character,<br />

record, or position of an opponent and create doubt in voters’ minds about his or her<br />

ability to govern effectively. A major reason why negative political ads are used successfully<br />

is that voters often tend to weight negative information more heavily than<br />

positive information when forming impressions of political candidates. 54 However,<br />

studies have shown that the use of “attack advertising” by politicians can result in negative<br />

perceptions of both candidates. 55<br />

Fear Appeals Fear is an emotional response to a threat that expresses, or at least<br />

implies, some sort of danger. Ads sometimes use fear appeals to evoke this emotional<br />

response and arouse individuals to take steps to remove the threat. Some, like the<br />

antidrug ads used by the Partnership for a Drug-Free America, stress physical danger<br />

that can occur if behaviors are not altered. Others—like those for deodorant, mouthwash,<br />

or dandruff shampoos—threaten disapproval or social rejection.<br />

How Fear Operates Before deciding to use a fear appeal–based message strategy,<br />

the advertiser should consider how fear operates, what level to use, and how different<br />

target audiences may respond. One theory suggests that the relationship between the<br />

level of fear in a message and acceptance or persuasion is curvilinear, as shown in Figure<br />

6-5. 56 This means that message acceptance increases as the amount of fear used<br />

rises—to a point. Beyond that point, acceptance decreases as the level of fear rises.<br />

This relationship between fear and persuasion can be explained by the fact that fear<br />

appeals have both facilitating and inhibiting effects. 57 A low level of fear can have<br />

facilitating effects; it attracts attention and interest in the message and may motivate<br />

the receiver to act to resolve the threat. Thus, increasing the level of fear in a message<br />

from low to moderate can result in increased persuasion. High levels of fear, however,<br />

can produce inhibiting effects; the receiver may emotionally block the message by<br />

tuning it out, perceiving it selectively, or denying its arguments outright. Figure 6-5<br />

illustrates how these two countereffects operate to produce the curvilinear relationship<br />

between fear and persuasion.<br />

Acceptance<br />

of message<br />

recommendation<br />

Level of fear<br />

Facilitating effects<br />

High<br />

Resultant<br />

nonmonotonic<br />

curve<br />

Inhibiting effects

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!