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Belch: Advertising and<br />

Promotion, Sixth Edition<br />

V. Developing the<br />

Integrated Marketing<br />

Communications Program<br />

8. Creative Strategy:<br />

Planning and Development<br />

creative and media departments work together selecting magazines<br />

and deciding on the ads that will appeal to the readers of each publication.<br />

The creative department is often asked to create media-specific<br />

ads to run in a particular publication. Exhibit 8-3 shows an Absolut ad<br />

that was developed specifically for Los Angeles Magazine.<br />

Planning Creative Strategy<br />

The Creative Challenge<br />

Those who work on the creative side of advertising often face a real<br />

challenge. They must take all the research, creative briefs, strategy<br />

statements, communications objectives, and other input and transform<br />

them into an advertising message. Their job is to write copy, design<br />

layouts and illustrations, or produce commercials that effectively communicate<br />

the central theme on which the campaign is based. Rather<br />

than simply stating the features or benefits of a product or service, they<br />

must put the advertising message into a form that will engage the audience’s<br />

interest and make the ads memorable. 10<br />

The job of the creative team is challenging because every marketing<br />

situation is different and each campaign or advertisement may<br />

require a different creative approach. Numerous guidelines have been<br />

developed for creating effective advertising, 11 but there is no magic formula. As copywriter<br />

Hank Sneiden notes in his book Advertising Pure and Simple:<br />

Rules lead to dull stereotyped advertising, and they stifle creativity, inspiration, initiative,<br />

and progress. The only hard and fast rule that I know of in advertising is that there are no<br />

rules. No formulas. No right way. Given the same problem, a dozen creative talents would<br />

solve it a dozen different ways. If there were a sure-fire formula for successful advertising,<br />

everyone would use it. Then there’d be no need for creative people. We would simply program<br />

robots to create our ads and commercials and they’d sell loads of product—to other<br />

robots. 12<br />

Taking Creative Risks<br />

Many creative people follow proven formulas when creating ads because they are<br />

safe. Clients often feel uncomfortable with advertising that is too different. Bill Tragos,<br />

former chair of TBWA, the advertising agency noted for its excellent creative<br />

work for Absolut vodka, Evian, and many other clients, says, “Very few clients realize<br />

that the reason that their work is so bad is that they are the ones who commandeered it<br />

and directed it to be that way. I think that at least 50 percent of an agency’s successful<br />

work resides in the client.” 13<br />

Many creative people say it is important for clients to take some risks if they want<br />

breakthrough advertising that gets noticed. One agency that has been successful in<br />

getting its clients to take risks is Wieden & Kennedy, best known for its excellent creative<br />

work for companies such as Nike, Microsoft, and ESPN. The agency’s founders<br />

believe a key element in its success has been a steadfast belief in taking risks when<br />

most agencies and their clients have been retrenching and becoming more conservative.<br />

14 The agency can develop great advertising partly because clients like Nike are<br />

willing to take risks and go along with the agency’s priority system, which places the<br />

creative work first and the client–agency relationship second. The agency has even terminated<br />

relationships with large clients like Gallo when they interfered too much with<br />

the creative process.<br />

An example of a company that has begun taking more creative risks with its advertising<br />

is Wrigley. For many years the company, which has long dominated the market for<br />

chewing gum, was very conservative with its advertising and relied on more traditional,<br />

attribute-focused messages. However, in recent years Wrigley has taken a more dynamic<br />

approach to its marketing by introducing new products and using an edgier creative<br />

approach in its ads. 15 For example, advertising for the company’s Big Red brand used<br />

the tried and true “Kiss a Little Longer” campaign, featuring smooching couples, for<br />

many years. However, in 2000 Wrigley decided to develop a new image for the brand<br />

© The McGraw−Hill<br />

Companies, 2003<br />

Exhibit 8-3 Absolut<br />

vodka creates ads<br />

specifically for the<br />

publications in which they<br />

appear, such as this one for<br />

Los Angeles Magazine<br />

243<br />

Chapter Eight Creative Strategy: Planning and Development

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