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216<br />

Part Four Objectives and Budgeting for Integrated Marketing<br />

Communications Programs<br />

Belch: Advertising and<br />

Promotion, Sixth Edition<br />

IV. Objectives and<br />

Budgeting for Integrated<br />

Marketing<br />

Communications Programs<br />

Figure 7-11 Factors influencing advertising budgets<br />

7. Establishing Objectives<br />

and Budgeting for the<br />

Promotional Program<br />

© The McGraw−Hill<br />

Companies, 2003<br />

Relationship of Relationship of<br />

Factor Advertising/Sales Factor Advertising/Sales<br />

Product Factors Customer Factors<br />

Basis for differentiation + Industrial products users —<br />

Hidden product qualities + Concentration of users +<br />

Emotional buying motives + Strategy Factors<br />

Durability — Regional markets —<br />

Large dollar purchase — Early stage of brand life cycle +<br />

Purchase frequency Curvilinear High margins in channels —<br />

Market Factors Long channels of distribution +<br />

Stage of product life cycle: High prices +<br />

Introductory + High quality +<br />

Growth + Cost Factors<br />

Maturity — High profit margins +<br />

Decline —<br />

Inelastic demand +<br />

Market share<br />

Competition:<br />

—<br />

Active +<br />

Concentrated +<br />

Pioneer in market —<br />

Note: + relationship means the factor leads to a positive effect of advertising on sales; — relationship indicates little or no effect of advertising on sales.<br />

Figure 7-12 Factors considered<br />

in budget setting<br />

the percentage-of-sales method of budgeting has inherent weaknesses in that the<br />

advertising and sales effects may be reversed. So we cannot be sure whether the situation<br />

actually led to the advertising/sales relationship or vice versa. Thus, while these<br />

factors should be considered in the budget appropriation decision, they should not be<br />

the sole determinants of where and when to increase or decrease expenditures.<br />

The Advertising Age Editorial Sounding Board consists of 92 executives of the top<br />

200 advertising companies in the United States (representing the client side) and 130<br />

executives of the 200 largest advertising agencies and 11 advertising consultants (representing<br />

the agency side). A survey of the board yielded the factors shown in Figure<br />

7-12 that are important in budget setting.<br />

Overall, the responses of these two groups reflect in part their perceptions as to factors<br />

of importance in how budgets are set. To understand the differences in the relative<br />

importance of these factors, it is important to understand the approaches currently<br />

employed in budget setting. The next section examines these approaches.<br />

Changes in advertising strategy and/or creative approach 51%<br />

Competitive activity and/or spending levels 47<br />

Profit contribution goal or other financial target 43<br />

Level of previous year’s spending, with adjustment 17<br />

Senior management dollar allocation or set limit 11<br />

Volume share projections 8<br />

Projections/assumptions on media cost increases 25<br />

Modifications in media strategy and/or buying techniques 17

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