11.01.2013 Views

Selecciones - Webs

Selecciones - Webs

Selecciones - Webs

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Belch: Advertising and<br />

Promotion, Sixth Edition<br />

Summary<br />

In this chapter, we examined how<br />

the advertising message is implemented<br />

and executed. Once the creative<br />

strategy that will guide the ad<br />

campaign has been determined,<br />

attention turns to the specific type<br />

of advertising appeal and execution<br />

format to carry out the creative<br />

plan. The appeal is the central message<br />

used in the ad to elicit some<br />

296<br />

V. Developing the<br />

Integrated Marketing<br />

Communications Program<br />

9. Creative Strategy:<br />

Implementation and<br />

Evaluation<br />

© The McGraw−Hill<br />

Companies, 2003<br />

awareness and sales had increased considerably, but some advertising people still<br />

think the ads were so creative and entertaining that they overwhelmed the message. 40<br />

With the increasing amount of clutter in most advertising media, it may be necessary<br />

to use a novel creative approach to gain the viewer’s or reader’s attention. However,<br />

the creative execution cannot overwhelm the message. Clients must walk a fine line:<br />

Make sure the sales message is not lost, but be careful not to stifle the efforts of the<br />

creative specialists and force them into producing dull, boring advertising.<br />

• Is the creative approach appropriate for the media environment in which it is likely<br />

to be seen? Each media vehicle has its own specific climate that results from the<br />

nature of its editorial content, the type of reader or viewer it attracts, and the nature of<br />

the ads it contains. Consideration should be given to how well the ad fits into the<br />

media environment in which it will be shown. For example, the Super Bowl has<br />

become a showcase for commercials. People who care very little about advertising<br />

know how much a 30-second commercial costs and pay as much attention to the ads<br />

as to the game itself, so many advertisers feel compelled to develop new ads for the<br />

Super Bowl or to save new commercials for the game.<br />

• Is the ad truthful and tasteful? Marketers also have to consider whether an ad is<br />

truthful, as well as whether it might offend consumers. For example, the Just For Feet<br />

athletic footwear chain ran a commercial on the 1999 Super Bowl that featured a<br />

Kenyan runner who was tracked like an animal by white mercenaries, drugged unconscious,<br />

and fit with a pair of running shoes—which goes against centuries of Kenyan<br />

tradition. The spot led to charges of neocolonialism and racism from outraged<br />

consumers and the media and created a major public relations problem for the<br />

company. Just For Feet had to pull the spot after running it only one time and ended<br />

up suing its ad agency. 41 The ultimate responsibility for determining whether an ad<br />

deceives or offends the target audience lies with the client. It is the job of the advertising<br />

or brand manager to evaluate the approach suggested by the creative specialists<br />

against company standards. The firm’s legal department may be asked to review the<br />

ad to determine whether the creative appeal, message content, or execution could<br />

cause any problems for the company. It is much better to catch any potential legal<br />

problems before the ad is shown to the public.<br />

The advertising manager, brand manager, or other personnel on the client side can<br />

use these basic guidelines in reviewing, evaluating, and approving the ideas offered by<br />

the creative specialists. There may be other factors specific to the firm’s advertising<br />

and marketing situation. Also, there may be situations where it is acceptable to deviate<br />

from the standards the firm usually uses in judging creative output. As we shall see in<br />

Chapter 19, the client may want to move beyond these subjective criteria and use more<br />

sophisticated pretesting methods to determine the effectiveness of a particular<br />

approach suggested by the creative specialist or team.<br />

response from consumers or influence<br />

their feelings. Appeals can be<br />

broken into two broad categories,<br />

rational and emotional. Rational<br />

appeals focus on consumers’ practical,<br />

functional, or utilitarian need<br />

for the product or service; emotional<br />

appeals relate to social<br />

and/or psychological reasons for<br />

purchasing a product or service.<br />

Numerous types of appeals are<br />

available to advertisers within each<br />

category.<br />

The creative execution style is<br />

the way the advertising appeal is<br />

presented in the message. A number<br />

of common execution<br />

techniques were examined in the<br />

chapter, along with considerations<br />

for their use. Attention was also

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!