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Belch: Advertising and<br />

Promotion, Sixth Edition<br />

V. Developing the<br />

Integrated Marketing<br />

Communications Program<br />

gets that are willing to spend millions for a 30-second<br />

spot. Moreover, National Football League marketing<br />

executives have also been making some defensive<br />

moves to broaden the game’s appeal and to allow more<br />

companies to participate in the hoopla surrounding<br />

the game. To attract younger viewers, the Super Bowl’s<br />

half-time show has featured popular rock groups such<br />

as U2, whose music has been included in the NFL’s promotional<br />

ads. The league is also creating new opportunities<br />

for advertisers that choose not to pay<br />

television’s highest commercial prices, such as those<br />

for Friday or Saturday televised events, including con-<br />

11. Evaluation of Broadcast<br />

Media<br />

expensive TV program of all, the Super Bowl, and how its high cost is causing some<br />

advertisers to look for alternatives to advertising on the big game.<br />

Lack of Selectivity Some selectivity is available in television through variations<br />

in programs and cable TV. But advertisers who are seeking a very specific, often<br />

small, target audience find the coverage of TV often extends beyond their market,<br />

reducing its cost effectiveness (as discussed in Chapter 10). Geographic selectivity can<br />

be a problem for local advertisers such as retailers, since a station bases its rates on the<br />

total market area it reaches. For example, stations in Pittsburgh, Pennsylvania, reach<br />

viewers in western and central Pennsylvania, eastern Ohio, northern West Virginia,<br />

and even parts of Maryland. The small company whose market is limited to the immediate<br />

Pittsburgh area may find TV an inefficient media buy, since the stations cover a<br />

larger geographic area than the merchant’s trade area.<br />

Audience selectivity is improving as advertisers target certain groups of consumers<br />

through the type of program or day and/or time when they choose to advertise. However,<br />

TV still does not offer as much audience selectivity as radio, magazines, newspapers,<br />

or direct mail for reaching precise segments of the market.<br />

Fleeting Message TV commercials usually last only 30 seconds or less and<br />

leave nothing tangible for the viewer to examine or consider. Commercials have<br />

become shorter and shorter as the demand for a limited amount of broadcast time has<br />

intensified and advertisers try to get more impressions from their media budgets.<br />

Thirty-second commercials became the norm in the mid-1970s, and in September<br />

1986, the three major networks began accepting 15-second spots across their full<br />

schedules (except during children’s viewing time). Since 1987, these shorter spots<br />

have been accounting for about a third of all network commercials and 9 percent of<br />

nonnetwork commercial activity. Thirty-second spots remain the dominant commercial<br />

length, accounting for nearly 60 percent of network spots and over 80 percent of<br />

nonnetwork ads. 7<br />

An important factor in the decline in commercial length has been the spiraling inflation<br />

in media costs over the past decade. With the average cost of a prime-time spot<br />

reaching over $100,000, many advertisers see shorter commercials as the only way to<br />

keep their media costs in line. A 15-second spot typically sells for half the price of a<br />

30-second spot. By using 15- or even 10-second commercials, advertisers think they<br />

can run additional spots to reinforce the message or reach a larger audience. Many<br />

advertisers believe shorter commercials can deliver a message just as effectively as<br />

longer spots for much less money.<br />

Several years ago, many advertising people predicted 15-second spots would<br />

become the dominant commercial unit. However, the growth in the use of 15-second<br />

commercials peaked at 38 percent in 1989 and has recently declined to around 32 percent.<br />

The decline may be due to several factors, including creative considerations,<br />

lower prices for network time, and a desire by the networks to restrict clutter. 8<br />

© The McGraw−Hill<br />

Companies, 2003<br />

certs and pregame shows. The networks have also produced<br />

special shows that air on Super Bowl weekend.<br />

For example, in 2002 CBS created a special program,<br />

which aired the night before the big game, to provide<br />

advertisers with an opportunity to be part of the Super<br />

Bowl hype. You guessed it: The show was a special look<br />

back at the best Super Bowl ads of all time.<br />

Sources: Vanessa O’Connell, “Super Bowl Gets Competition,” The<br />

Wall Street Journal, Jan. 28, 2002, pp. B1, 3; Suzanne Varanica, “Ad<br />

Time for Academy Awards Is Sold Out,” The Wall Street Journal,<br />

Mar. 7, 2002, p. B8.<br />

355<br />

Chapter Eleven Evaluation of Broadcast Media

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