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Belch: Advertising and<br />

Promotion, Sixth Edition<br />

V. Developing the<br />

Integrated Marketing<br />

Communications Program<br />

10. Media Planning and<br />

Strategy<br />

desired at later stages of the hierarchy. For example, at the trial stage of the adoption<br />

hierarchy, a promotional strategy might use cents-off coupons or free samples. An<br />

objective of the marketer is to reach a larger number of people with these samples, in<br />

an attempt to make them learn of the product, try it, and develop favorable attitudes<br />

toward it. (In turn, these attitudes may lead to purchase.)<br />

The problem arises because there is no known way of determining how much reach<br />

is required to achieve levels of awareness, attitude change, or buying intentions, nor<br />

can we be sure an ad placed in a vehicle will actually reach the intended audience.<br />

(There has been some research on the first problem, which will be discussed in the section<br />

below on effective reach.)<br />

If you buy advertising time on 60 Minutes, will everyone who is tuned to the program<br />

see the ad? No. Many viewers will leave the room, be distracted during the commercial,<br />

and so on, as shown in Figure 10-18 (which also provides a good example of<br />

the difference between reach and coverage). If I expose everyone in my target group to<br />

the message once, will this be sufficient to create a 100 percent level of awareness?<br />

The answer again is no. This leads to the next question: What frequency of exposure is<br />

necessary for the ad to be seen and to have an impact?<br />

What Frequency Level Is Needed? With respect to media planning, frequency<br />

carries a slightly different meaning. (Remember when we said one of the problems<br />

in media planning is that terms often take on different meanings?) Here<br />

frequency is the number of times one is exposed to the media vehicle, not necessarily<br />

to the ad itself. While one study has estimated the actual audience for a commercial<br />

may be as much as 30 percent lower than that for the program, not all researchers<br />

agree. 4 Figure 10-18 demonstrates that depending on the program, this number may<br />

range from 12 to 40 percent.<br />

Most advertisers do agree that a 1:1 exposure ratio does not exist. So while your ad<br />

may be placed in a certain vehicle, the fact that a consumer has been exposed to that<br />

vehicle does not ensure that your ad has been seen. As a result, the frequency level<br />

expressed in the media plan overstates the actual level of exposure to the ad. This<br />

overstatement has led some media buyers to refer to the reach of the media vehicle as<br />

“opportunities to see” an ad rather than actual exposure to it.<br />

Because the advertiser has no sure way of knowing whether exposure to a vehicle<br />

results in exposure to the ad, the media and advertisers have adopted a compromise:<br />

One exposure to the vehicle constitutes reach, given that this exposure must occur for<br />

© The McGraw−Hill<br />

Companies, 2003<br />

Figure 10-18 Who’s still there to watch the ads?<br />

How many viewers actually watch a commercial? R. D. Percy & Co. reports that its advanced people meters,<br />

equipped with heat sensors that detect viewers present, indicate that spots retain, on average, 82 percent of the<br />

average-minute ratings for the quarter hour. During early morning news programs, “commercial efficiency”<br />

(as Percy calls it) is lower because so many people are bustling about, out of the room (blue), but the rate rises<br />

at night.<br />

A. Efficiency of Spots during News Programming B. Efficiency of Spots during Sports Programming<br />

6–9 A.M. Mon.–Fri.<br />

5–7 P.M. Mon.–Fri.<br />

7–8 P.M. Mon.–Fri.<br />

11–11:30 P.M. Mon.–Fri.<br />

Percent of program audience retained<br />

by spot (commercial efficiency)<br />

60 35 5 80 6 14<br />

86 9 5<br />

84 9 7<br />

88 10 2<br />

Noon–3 P.M. Sat.–Sun.<br />

3–5 P.M. Sat.–Sun.<br />

5–7 P.M. Sat.–Sun.<br />

8–11 P.M. Mon.–Fri.<br />

Percent of audience<br />

lost: out of the room<br />

79 10 11<br />

84 6 10<br />

88 1 11<br />

Percent of audience<br />

lost: changing channels<br />

317<br />

Chapter Ten Media Planning and Strategy

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