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Belch: Advertising and<br />

Promotion, Sixth Edition<br />

II. Integrated Marketing<br />

Program Situation Analysis<br />

3. Organizing for<br />

Advertising & Promotion<br />

including the identification of target markets as well as the development of integrated<br />

marketing communications programs that will differentiate the brand. 5<br />

There are some drawbacks to the decentralized approach. Brand managers often<br />

lack training and experience. The promotional strategy for a brand may be developed<br />

by a brand manager who does not really understand what advertising or sales promotion<br />

can and cannot do and how each should be used. Brand managers may focus too<br />

much on short-run planning and administrative tasks, neglecting the development of<br />

long-term programs.<br />

Another problem is that individual brand managers often end up competing for<br />

management attention, marketing dollars, and other resources, which can lead to<br />

unproductive rivalries and potential misallocation of funds. The manager’s persuasiveness<br />

may become a bigger factor in determining budgets than the long-run profit<br />

potential of the brands. These types of problems were key factors in Procter & Gamble’s<br />

decision to switch to a category management system.<br />

Finally, the brand management system has been criticized for failing to provide<br />

brand managers with authority over the functions needed to implement and control the<br />

plans they develop. 6 Some companies have dealt with this problem by expanding the<br />

roles and responsibilities of the advertising and sales promotion managers and their<br />

staff of specialists. The staff specialists counsel the individual brand managers, and<br />

advertising or sales promotion decision making involves the advertising and/or sales<br />

promotion manager, the brand manager, and the marketing director.<br />

In-House Agencies<br />

Some companies, in an effort to reduce costs and maintain greater control over agency<br />

activities, have set up their own advertising agencies internally. An in-house agency is<br />

an advertising agency that is set up, owned, and operated by the advertiser. Some inhouse<br />

agencies are little more than advertising departments, but in other companies<br />

they are given a separate identity and are responsible for the expenditure of large sums<br />

of advertising dollars. Large advertisers that use in-house agencies include Calvin<br />

Klein, The Gap, Avon, Revlon, and Benetton. Many companies use in-house agencies<br />

exclusively; others combine in-house efforts with those of outside agencies. For example,<br />

No Fear handles most of its advertising in-house, but it does use an outside agency<br />

for some of its creative work (Exhibit 3-3). (The specific roles performed by in-house<br />

agencies will become clearer when we discuss the functions of outside agencies.)<br />

A major reason for using an in-house agency is to reduce advertising and promotion<br />

costs. Companies with very large advertising budgets pay a substantial amount to outside<br />

agencies in the form of media commissions. With an internal structure, these<br />

commissions go to the in-house agency. An in-house agency can also provide related<br />

work such as sales presentations and sales force materials, package design, and public<br />

© The McGraw−Hill<br />

Companies, 2003<br />

Exhibit 3-3 Most of the<br />

advertising for No Fear is<br />

done by an in-house agency<br />

75<br />

Chapter Three Organizing for Advertising and Promotion

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