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758<br />

Part Seven Special Topics and Perspectives<br />

Belch: Advertising and<br />

Promotion, Sixth Edition<br />

Exhibit 22-7 Abercrombie<br />

& Fitch’s catalogs<br />

have been criticized over<br />

the use of sex and nudity<br />

Exhibit 22-8 Bijan often<br />

uses whimsical and<br />

controversial ads<br />

VII. Special Topics and<br />

Perspectives<br />

22. Evaluating the Social,<br />

Ethical, & Economic<br />

Aspects of Advtising &<br />

Promotion<br />

© The McGraw−Hill<br />

Companies, 2003<br />

with a shopping mall Santa portrayed as a pedophile, and nude photos. The retailer<br />

promoted its 2002 Christmas catalog with an advertisement across the plastic covering<br />

stating, “Two-hundred and eighty pages of sex and Xmas fun” (Exhibit 22-7). 30 A<br />

few years ago officials in four states threatened or pursued legal action against the<br />

company, which responded by implementing a policy of carding would-be-buyers of<br />

the catalog to ensure they are at least 18 years old.<br />

Another company known for its whimsical, and sometimes controversial, ads is<br />

Bijan. The fragrance marketer’s ads attracted a great deal of attention a few years ago<br />

when it decided to forgo the tall, thin, glamorous supermodels typically used in fragrance<br />

ads and use very large, naked women instead. The company’s founder, Beverly<br />

Hills fashion maven Bijan, defended the ads by stating that they were his homage to<br />

artists such as Rubens, who used full-figured models (Exhibit 22-8).<br />

Many advertising experts argue that what underlies the increase in the use of shock<br />

advertising is the pressure on marketers and their agencies to do whatever it takes to<br />

get their ads noticed. However, critics argue that the more advertisers use the tactic,<br />

the more shocking the ads have to be to get attention. How far advertisers can go with<br />

these appeals will probably depend on the public’s reaction. When consumers think<br />

the advertisers have gone too far, they are likely to pressure the advertisers to<br />

change their ads and the media to stop accepting them.<br />

While marketers and ad agencies often acknowledge that their ads push the<br />

limits with regard to taste, they also complain about a double standard that<br />

exists for advertising versus editorial television program content. The creative<br />

director for Abercrombie & Fitch’s agency argues that there is a double standard<br />

and hypocrisy in the shock advertising debate: “When advertising uses<br />

sex, everybody complains—when editorial does it, nobody cares.” 31 Advertisers<br />

and agency creative directors argue that even the most suggestive commercials<br />

are bland compared with the content of many television programs.<br />

Ethical Perspective 22-1 discusses the process by which the standards and<br />

practices departments of the four major networks review the thousands of<br />

commercials they receive each year and try to resolve issues regarding their<br />

tastefulness.<br />

Advertising and Children<br />

One of the most controversial topics advertisers must deal with is the issue of<br />

advertising to children. TV is a vehicle through which advertisers can reach<br />

children easily. Children between the ages of 2 and 11 watch an average of

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