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Belch: Advertising and<br />

Promotion, Sixth Edition<br />

IMC PERSPECTIVE 22-3<br />

VII. Special Topics and<br />

Perspectives<br />

22. Evaluating the Social,<br />

Ethical, & Economic<br />

Aspects of Advtising &<br />

Promotion<br />

Linking Drug Use with Terrorism<br />

For nearly two decades advertising has been used to<br />

address the problem of illicit drug use in the United<br />

States. Initially the use of advertising in the war<br />

against drugs was waged through the Partnership for<br />

a Drug Free America, which is a private, nonprofit coalition<br />

of professionals from the communications industry<br />

whose collective mission is to reduce the demand<br />

for drugs in America through media communication.<br />

The partnership was founded in 1986 as the advertising<br />

industry’s affirmative response to the crack<br />

cocaine epidemic in America. Since its founding, more<br />

than 600 commercials have been created by advertising<br />

agencies that work on these ads on a pro bono<br />

basis, donating the time, talent, and services of their<br />

creative staffs. More than $2.8 billion in media time<br />

also has been donated to the Partnership’s national<br />

campaign, making it the largest public service ad campaign<br />

in history.<br />

In 1997 the U.S. government entered the media war<br />

on drugs when the Clinton administration announced<br />

a $2 billion federally sponsored five-year campaign to<br />

keep kids from using drugs. As part of this effort the<br />

U.S. Office of National Drug Control Policy (ONDCP)<br />

was created, and the Ogilvy & Mather advertising<br />

agency was hired to manage the account and handle<br />

the media buying while doing some minor creative<br />

work. While the government’s drug control office is<br />

separate from the Partnership for a Drug Free America,<br />

many of the initial ads used in the campaign were<br />

pulled from the Partnership’s inventory, such as the<br />

updated version of the famous “This is your brain on<br />

drugs” showing actress Rachel Lee Cook using a fry-<br />

© The McGraw−Hill<br />

Companies, 2003<br />

ing pan to smash apart a kitchen as she shouts, “This is<br />

your brain. This is your brain on heroin.”<br />

Over the past five years the Partnership has developed<br />

the themes for the drug office ads and selected<br />

the ad agencies to produce the ads. The ONDCP has<br />

provided nearly $200 million a year in funding for the<br />

Partnership’s antidrug efforts, primarily to help pay<br />

for advertising time and space. However, while the two<br />

organizations are supposed to be working together in<br />

the battle to combat drug use, they have gone in different<br />

directions recently in their approaches to how<br />

advertising can best be used to address the problem.<br />

The perspective taken by the Partnership in most of<br />

its ads has been to discourage drug use by helping<br />

people, particularly children and teenagers, understand<br />

the dangers of using them. Many of the ads<br />

developed by the Partnership over the past 16 years<br />

have focused on resistance techniques that young<br />

people can use when confronted with the choice of<br />

using drugs, positive alternatives to drug use, and the<br />

importance of parental involvement as a way of deterring<br />

drug use. However, under its new director, John P.<br />

Walters, the ONDCP is taking a different perspective<br />

by arguing that the way to deal with the drug problem<br />

is to eliminate the flow of drugs at their source. To<br />

accomplish this goal, the ONDCP commissioned<br />

Ogilvy & Mather to develop an advertising campaign<br />

outside the normal channels of the Partnership for a<br />

Drug Free America, one linking drug use with the support<br />

of terrorism.<br />

The first ads in the campaign ran during the 2002<br />

Super Bowl and took advantage of the public’s outrage<br />

over the terrorist attacks on the World Trade Center<br />

that occurred on September 11, 2001. The commercials<br />

featured footage of assault weapons, duct tape, and<br />

explosives and implied that the weapons used by terrorists<br />

were funded by drug sales in the United States.<br />

Some groups were critical of the ads and the government’s<br />

effort to draw a connection between drug<br />

money and terrorism, arguing that it was unfair to<br />

blame nonviolent drug users for the actions of terrorists.<br />

However, the director of the campaign for the<br />

ONDCP described the reaction to the first set of ads as<br />

phenomenal, noting that it generated debate on the<br />

drug issue.<br />

Eight months after the first ads ran, ONDCP followed<br />

with another set of ads that are designed to<br />

refute the notion that drug use is a victimless crime<br />

by linking drug use to crime and terrorism. The drug<br />

office noted that viewers of the initial ads had a<br />

difficult time believing that the drug-terrorism link<br />

773

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