31.10.2013 Views

Latgalistikys kongresu materiali, III. 2011. - Latvijas Universitāte

Latgalistikys kongresu materiali, III. 2011. - Latvijas Universitāte

Latgalistikys kongresu materiali, III. 2011. - Latvijas Universitāte

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

On the other hand, the novel is embedded into a wider context exploding<br />

the world of the novel into a thick fabric of postmodernist cultural<br />

awareness. The narration is framed by a reference to 12 October which is<br />

the date of discovering America. The narration begins in April stating that<br />

there are six months until 12 October when the narrator will see the new<br />

land towards which he is setting out. However, at the end of the novel<br />

when this date comes, nothing changes. The narrator returns from work<br />

and performs the same weird actions that at the beginning of the novel he<br />

observes as performed by one of the numerous anonymous characters: he<br />

makes tea, drinks it up from a glass, then smashes the glass against the<br />

wall, goes to the bathroom to wash his socks, pours glass chippings into<br />

the socks and pegs them onto the clothes-line, then turns on the radio,<br />

starts thinking and returns to the bathroom to pour the chippings from his<br />

socks into the pockets of his pants, at night he climbs onto the roof, sits on<br />

the parapet and counts the blue and then the red lights, after getting to the<br />

yellow ones, he jumps down, picks up the parts of his flesh that have come<br />

off and buries them under the doorstep, in the morning he drinks aperitif<br />

from a half-litre jar, etc. (Seiksts, Lukaševičs 1996: 22, 181).<br />

Quest for the New World actually turns out to be a cyclical journey<br />

leading in all directions and nowhere; the intersection of motion and stillness<br />

is symbolized by the bus-station as the central topos of the novel<br />

where the narrator with three other guys (who form the collective 1 st person<br />

‘we’ narrator) are hanging around boozing and watching people come<br />

and go. Their own position is rather Buddhist-like (thus introducing Buddhism<br />

and Daoism as significant intertexts of the novel):<br />

MYUSIM NIKAS NABEJA JUODORA, I VYSS PATS IZADAREJA<br />

MYUSU VĪTĀ. NIKUR NAGUOJOM, I VYSS ATGUOJA PATS. 49<br />

(Seiksts, Lukaševičs 1996: 8)<br />

VYSYS NALAIMIS NU TUO, KA PUORUOK DAUDZI GRIBI. A<br />

VYSS IR VIŅ TE I ITE, NAV VYS TĪ, KUR, KAI I CIK GRIBI, LAI<br />

BYUTU.<br />

TĪ, KUR MES ASAM, VYSS TYS JAU IR. I CYTIM IR. PI TUO, KA<br />

JIM KUO NAVĪN TRYUKST, VAINEIGI TIKAI JĪ POŠI. EISTINEIBĀ<br />

JIM TUO NIMOZ NAVAJAG. KA LABI PADŪMOJ. 50<br />

(Seiksts, Lukaševičs 1996: 100)<br />

49 ‘We had nothing to do and everything got to be done by itself for us. We went nowhere<br />

and everything came itself’ (here and henceforth translation mine — S. M.).<br />

50 ‘All misfortunes come of wishing too much. But all is just here and now, not there<br />

where you want it to be. Everything is where we are. And everyone else has it. If<br />

166

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!