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Johnson 2004 - CDLI - UCLA

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5. œuruß ki.sikil unug !ki .ga saœ.tuku The young men and the young women of<br />

≠bur.ßum 2±.ma ≠kul.[aba ki ] Uruk and the male and female elites<br />

225<br />

of Kulaba,<br />

6. alan.bi igi mu.un.bar.bar.re.ne As for their statue, as they were staring at it,<br />

im.ma.˙ul 2.˙ul 2.la they rejoiced,<br />

Likewise, an interpretation of this passage in which the terminative *mini-√ construction<br />

in line 3 referred to the causer, namely Gilgamesh, while the locative *mini-√<br />

construction in line 4 referred to a causee such as Gilgamesh’s soldiers “made to rejoice”<br />

in Gilgamesh’s palace, would yield a nice sequence of the various constituencies who<br />

participate in the celebration of the new statue: Gilgamesh himself, his soldiers, the<br />

young men and women, and the male and female elites.<br />

(27) Winter and Summer [5.3.3], ll. 102-106<br />

(Gragg 1973a, 57, 72; Vanstiphout 1997, 586)<br />

102. u 2.kuß 8 en.[te.en.na x] ßa 3 sug 4<br />

ßeg 7 saœ.œa 2 x […] e 3.a<br />

… brought forth in the early rain,<br />

sar ?<br />

103. lu.ub2 gal.gal AGA gal.e Large turnips, large …, cut down with an<br />

30 sar<br />

ku5.da TUN3.LA2 ga.raß<br />

gid 2.da<br />

104. en.te.en.e gu 2.un œar.ra.bi.ße 3<br />

axe(?), long leeks,<br />

Since Winter was the one who brought the<br />

ni 2.ba mi.ni.in.œar.œar tribute he had collected himself,<br />

30 This line is relatively straightforward except for TUN3.LA 2, which could be interpreted as a cutting device or,<br />

alternatively as a depression in the ground (= Akk. mußpalu).

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