06.04.2013 Views

Johnson 2004 - CDLI - UCLA

Johnson 2004 - CDLI - UCLA

Johnson 2004 - CDLI - UCLA

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

ather THE BIRD that did so” counterpart to the negative contrastive focus is left<br />

unstated and only drawn as an implication from the context. Given the contextual nature<br />

of such an unstated contrast, obviously the first course of investigation is to look in detail<br />

at the contexts in which the construction occurs and confirm that this interpretation of the<br />

construction “fits”—this is the objective of sections 4.2, 4.3 and 4.4, the centerpiece of<br />

the chapter, which correspond to three subsets within the overall class of *XP nam bi-√<br />

constructions: section 4.2 covers examples of the construction that do not involve<br />

compound verbs; section 4.3 deals with the compound verb subset, excluding BNBV inal<br />

predicates; section 4.4 looks at BNBV inal predicates in the *XP nam bi-√ construction.<br />

The use of the “It is not A . . ., but rather B” translational equivalency is, however,<br />

somewhat artificial in that the positive contrast never appears in the context, so, in section<br />

4.5, my hypothesis about of the *XP nam bi-√ construction is refined somewhat on the<br />

basis of Herburger’s work on double negation in Spanish (2000). In the final section of<br />

the chapter, section 4.6, I turn to the opposition between what Kiss (1998) has called<br />

informational and identificational focus and argue that the use of the copula to mark the<br />

focused constituent (whether as the ordinary copular construction *XP-am or the copula<br />

that forms a component of the *XP nam [< *XP nu/na-am] constituent) is limited to<br />

instances of contrastive/identificational focus.<br />

262

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!