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Guia Academica - Facultad de Filología - Universidad de Salamanca

Guia Academica - Facultad de Filología - Universidad de Salamanca

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299 FACULTAD DE FILOLOGÍA GUÍA ACADÉMICA 2009-2010<br />

14845-EL RELATO CORTO EN LENGUA INGLESA<br />

Asignatura Optativa. Primer Semestre. 6 créditos<br />

Profa.: Merce<strong>de</strong>s Peñalba García<br />

mpg@usal.es<br />

UNIVERSIDAD DE SALAMANCA<br />

COURSE DESCRIPTION<br />

This course will introduce you to the pleasures of exploring fiction, and to the challenges of interpreting, confronting, and discovering human<br />

experience. The short story is an incredibly versatile literary form which can <strong>de</strong>al with many issues, ranging from very personal concerns like i<strong>de</strong>ntity,<br />

sexuality, loss, and family life, all the way through to social issues: for instance, the relationship between individuals and the societies they live in;<br />

freedom and unfreedom; gen<strong>de</strong>r and race. The short story is also an excellent form to study if you wish to improve your English comprehension and<br />

writing. It allows you to read carefully, and to see how writers use the English language, and how they employ various aspects of narrative technique—narrative<br />

point of view, the creation of characters, scene building, and much else.<br />

You are expected to actively participate in class discussions and write short papers to <strong>de</strong>monstrate close reading skills, to express individual<br />

interpretation, and to un<strong>de</strong>rstand the common themes and unique literary characteristics of the genre. You are also encouraged to view films based<br />

on the literary selections to enlarge your perceptions of themes, characters, and settings. This course will also introduce you to a basic language of<br />

metaphor and symbol, which traditionally un<strong>de</strong>rlies and gives a frame of expression to imaginative writing. Class time will be <strong>de</strong>voted heavily to lecture<br />

on these occasions, but otherwise will consist of focused discussions of the readings. The course inclu<strong>de</strong>s the formal analysis of individual stories<br />

and some attention to general literary trends and theories of fiction that have affected the short story in its historical <strong>de</strong>velopment in America.<br />

COURSE OBJECTIVES<br />

A. To promote stu<strong>de</strong>nt un<strong>de</strong>rstanding and appreciation of representative short fiction in the English language.<br />

B. To provi<strong>de</strong> a framework for the study of the literature and culture of the United States.<br />

C. To appreciate the short story’s importance as a literary form.<br />

D. To recognize important literary elements and figurative language in short stories.<br />

E. To focus on the analysis of events, movements, groups, and individuals who have shaped and continue to shape American culture, history,<br />

and literature.<br />

F. To analyze texts as a basis for original thinking and writing.<br />

LEARNING OUTCOMES<br />

A. Outcomes of the course<br />

By the end of the course, you should feel that you have <strong>de</strong>veloped some of the following:<br />

a) A heightened sensitivity to different kinds of literary writing and to experiments with the short story;<br />

b) A greater un<strong>de</strong>rstanding and appreciation of the short story in critical and historical terms: how short stories reflect human experience over<br />

time and through different cultures.<br />

c) A larger critical vocabulary for thinking, talking and writing about the short story;<br />

d) An enhanced capacity to compose i<strong>de</strong>as and arguments in clear and accurately presented critical prose. Stu<strong>de</strong>nts will be able to<br />

B. Skills imparted by the course<br />

Additionally, by the end of the course, you should have acquired some of the following skills:<br />

a) The ability to evaluate key literary and theoretical texts: you will be encouraged to think about genre (the form of writing), representation (the<br />

rhetoric in which writing conveys experience), and theme (the i<strong>de</strong>as and issues that writing actualises).

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