Darstellung Teil 2 Bibliographie Teil 3 Diskographie - Urs Engeler ...

mit bp Nichol: IN ENGLAND NOW THAT SPRING polaroid poems, found texts, visions & collaborations records of a
journey thru Scotland & England May 1978. TORONTO, AYA PRESS, 1979. Reprinted in January 1984
b) Herausgeber
mit bp Nichol (eds.): The Story So Four. Toronto: The Coach House Press 1976
mit bp Nichol (eds.): SOUND POETRY. A CATALOGUE for the Eleventh International Sound Poetry Festival, Toronto,
Canada, October 14 to 21, 1978. Toronto: Underwhich Editions 1978, 1500 Ex.
The Politics of the Referent, in: Open Letter. Toronto 1977, Third series, No. 7, Summer, S. 60-107
c) Zeitschriftenbeiträge
And who remembers Bobby Sands, in: POETICS JOURNAL. Berkeley, Ca. 1985, No. 5, May, S. 65-68
Breaking Surface /zu: Brian Fawcett, Permanent Relationships. Toronto: Coach House Press 1975/, in: Open Letter.
Toronto 1976, Third series, No. 4, Spring, S. 88-95
Counter Memory (book review of Michael Palmer's "Without Music". Santa Barbara: Black Sparrow 1977), in: Open
Letter. Toronto 1978, Third Series, No. 9, Fall, S. 153-157
The Death of the Subject: The Implications of Counter-Communication in Recent Language-Centered Writing, in: Open
Letter. Toronto 1977, Third Series, No. 7, Summer, S. 61-77
Early Stein /zu: Gertrude Stein, Fernhurst, Q.E.D., and other early writings. New York 1971/, in: Open Letter. Toronto
1973, Second series, No. 6, Fall, S. 125-128
The Elsewhere of Meaning (1986) /Über Claude Gauvreau's "Jappements à la Lune", 1970/, in: ders.: North of Intention.
New York, Toronto 1986, S. 170ff.
The Fall, in: David Young (ed.): The Story So Far 3. Toronto: The Coach House Press 1974, S. 133
for a poetry of blood, in: Stereo Headphones. Kersey, near Ipswich 1971, No. 4, spring, o. Pag.
Lyric's Larynx (1978), in: ders.: North of Intention. New York, Toronto 1986, S. 178-184
Nothing is Forgotten but the Talk of How to Talk: an Interview by Andrew Payne (1984), in: ders.: North of Intention.
New York, Toronto 1986, S. 111-130 [569]
Peras: Extracts from a Page, in: Open Letter. Toronto, Can. 1985, Sixth series, No. 1, Spring, S. 47-61
The Perseus Project: Paleogorgonization and The Sexual Life of Fossils, in: Michael Dean (ed.): Papers delivered at
the Symposium of Linguistic OntoGenetics held in Toronto, Canada, November 20, 21, 1981 ... Toronto 1985 (= grOnk
Final Series # 5), S. 67-78
The Property: Comma, in: Steve MacCaffery & bpNichol (eds.): The Story So Four. Toronto: The Coach House Press
1976, S. 171-179
REPOSSESSING THE WORD (excerpt from an "Intraview" by Steve McCaffery in the January 1978 issue of 'Centerfold'),
in: L=A=N=G=U=A=G=E. New York 1978, Vol. 1, No. 2, April, o. Pag.
SOUND POETRY (Auszug aus McCafferys Essay in "Sound Poetry. A Catalogue", ed. by Steve McCaffery & bp Nichol,
Toronto 1978), in: L=A=N=G=U=A=G=E. New York 1979, No. 7, March, S. 1-4
Sound Poetry. Essay, in: Bruce Andrews, Charles Bernstein (eds.): The L=A=N= G=U=A=G=E Book. Carbondale, IL:
Southern Illinois University Press 1984
Strata and Strategy: Pataphysics in the Poetry of Christopher Dewdney, in: Open Letter. Toronto 1976, Third series,
No. 4, Spring, S. 45-56
Tenderizing Buttons /über Gertrude Stein/, in: Open Letter. Toronto 1973, Second series, No 6, Fall, S. 93-103
The Unreadable Text, in: Michael Palmer (ed.): Code of Signals. Berkeley: North Atlantic Books 1983, S. 220ff.
mit Charles Bernstein, Ray DiPalma: Fantasy on a Hymn Tune, in: LEGEND. Bruce Andrews, Charles Bernstein, Ray
DiPalma, Steve McCaffery, Ron Silliman. New York: L=A=N=G=U=A=G=E, Segue Foundation 1980, S. 161-185
zusammen mit Charles Bernstein und Christian Bök: abs TruCt heh GarBagt. Special CD insert [booklet text], in: Cabinet.
A quarterly magazine of art and culture. New York 2000, Nr. 1, Winter 2000, S. 71
d) Sekundärliteratur
Bernstein, Charles: Panoptical Artifice, in: Open Letter. Toronto 1987, Sixth Series, No. 9, Fall, "Steve McCaffery", S.
9-15
Coffey, Michael: Grammatology & Economy, in: Open Letter. Toronto 1987, Sixth Series, No. 9, Fall, "Steve McCaffery",
S. 27-38
Dutton, Paul: The Sonic Graffitist: Steve McCaffery as Improvisor, in: Open Letter. Toronto 1987, Sixth Series, No. 9,
Fall, "Steve McCaffery", S. 17-25
Nichol, bp: The Annotated, Anecdoted, Beginnings of a Critical Checklist of the Published Works of Steve McCaffery,
in: Open Letter. Toronto 1987, Sixth Series, No. 9, Fall, "Steve McCaffery", S. 67-92
Sherry, James: POSTSCRIPT. The Politics of the Referent, in: L=A=N=G=U=A=G=E. New York 1978, Vol. 1, No. 3,
June, o. Pag. [570]
McCarthy, Ulli
Your face your face had not been seen. London: Writers Forum, August 1970, Writers Forum Quarto No 6
Cutting Room + id of Paul Buck + April Room, in: RAWZ. London 1977, No. 1, o. Pag.
McClure, Michael
GHOST TANTRAS. San Francisco: City Lights Books 1967. Reprint: Four Seasons Foundation 1969
Ghost Tantra Nr. 98, in: ACID. Neue amerikanische Szene. Hrsg. von R. D. Brinkmann, R. R. Rygulla. Darmstadt:
März 1969, S. 227
Vom Proteingral. Das rare Angel Exzerpt. Göttingen: Verlag Altaquito1986
McFerrin, Bobby
(McFerrin, Bobby:) Werner Burkhardt: Schwarze Magie, die Gute. Der Jazz-Sänger Bobby McFerrin triumphiert, in: SZ.
München, 30.3.1984
(McFerrin, Bobby:) Manfred Sack: Die neue Schallplatte: Inhaltsarm. Bobby McFerrin: "The Voice", in: Die Zeit. Hamburg,
14.9.1984, Nr. 38, S. 55
McMaster, Susan; McClure, Andrew; Morton, Colin
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