Darstellung Teil 2 Bibliographie Teil 3 Diskographie - Urs Engeler ...

Claire, Paula: STATEMENT ON MY PERFORMANCE POEMS, in: RAWZ. London 1977, No. 1, o. Pag.
Clark, Carl D.: BROWNIAN VARIATIONS VI ARTS AND STONES /essay/, in: Richard Kostelanetz (ed.): AURAL LITE-
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Claus, Carlfriedrich: Klangtexte Schriftbilder, in: Nota. München 1959, Jg. 1, Heft 3, 1959, S. 13-16
Claus, Carlfriedrich: Sicht-, hörbare Phasen umfassender Prozesse. Notizen zu franz mon, artikulationen (neske
1959), in: Nota. München 1960, Heft 4, 1960, S. 42-44
Cobbing, Bob: between poetry and music, in: isis. A magazine for Oxford University. Oxford, 16.2.1966, S. 10-11
Cobbing, Bob: Den konkreta dikten fran haiku till Happening (Concrete Poetry from Haiku to Happening), in: Fylkingen
bulletin. Stockholm 1969, Nr. 1, S. 5f
Cobbing, Bob: Die Grenzen verwischen sich. Über experimentelle und konkrete englische Lyrik, in: Akzente. München
1969, 16. Jg., S. 552-563
Cobbing, Bob: Konkrete Lautdichtung 1950-1970, in: "akustische Texte, konkrete poesie, visuelle texte".
/Ausstellungs-katalog/. Amsterdam: Stedelijk Museum 1970, o. Pag.
Cobbing, Bob: The Sound of Poetry (on the new magazine 'Kroklok' and concrete sound poetry), in: The Guardian,
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Cobbing, Bob: The Shape and Size of Poetry, in: Kroklok. Edited by Dom Sylvester Houedard. London 1971, No. 2, S.
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Cobbing, Bob: Poetry for a new age, in: Kroklok. Edited by Dom Sylvester Houédard. London 1971, No. 2, S. 34
Cobbing, Bob: Music For Dancing, in: Stereo Headphones.Kersey, near Ispwich, Suffolk 1971, No. 4, Spring 1971, o.
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Cobbing, Bob: The Elemental Dance (January 1974) (Interview Zurbrugg-Cobbing), in: Stereo Headphones. Kersey,
near Ipswich, Suffolk 1974, No. 6, summer 1974, S. 13
Cobbing, Bob: Ideen und Anmerkungen, in: Westfälischer Kunstverein Münster (Hg.): Sprachen jenseits von Dichtung.
Münster 1979, S. 179-182
Cobbing, Bob: Concrete Sound Poetry 1950-1970, in: The Avantgarde Tradition in Literature. Ed. by Richard Kostelanetz.
Buffalo, N. Y.: Prometheus Books 1982, S. 385-391
Cobbing, Bob; Mayer, Peter: Concrete Poetry, an introduction. (London, ca. 1973, unveröff. Manuskript). Unter dem
Titel "Concerning Concrete Poetry" London: writers forum 1978 (= Writers Forum Series. Studies in Concrete Poetry,
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Cook, Geoffry: SOUND POETRY & POETRY SOUNDS (a lecture given at the San Francisco Public Library), in: Ear
Magazine. New York 1976, Vol. 2, No. 5/6, Sept./Oct. 1976, o. Pag.
Cook, Geoff: SOUND POETRY & POETRY SOUNDS (a continuing article by Geoff Cook), in: Ear Magazine. New York
1977, Vol. 3, No. 2, March 1977, o. Pag.
Costa, Lis: Experimental Poetry in Barcelona during the 1990s, in: Visible Language. Providence, Rhode Island / USA
2001, Vol. 35, Nr. 1, S. 76-91
Costa, Mario: The Word of Poetry, Sounds of the Voice and Technology, in: Visible Language. Providence, Rhode
Island / USA 2001, Vol. 35, Nr. 1, S. 6-11
Cubitt, Sean: Hypermetrics, the Co-Evolution of Voice and Machine from Typewriter to Hypertext, in: Brandon LaBelle,
Christof Migone (ed.): Writing aloud. The Sonics of Language. Los Angeles: Errant Body Press; Downey: Ground Fault
Recordings 2001, S. 118-131
Curjel, Hans: Wandlungen des tönenden Materials, in: Melos. Mainz 1964, 31. J., H. 11, Nov., S. 342-348
Curtay, Jean-Paul (Hg.): LA MUSIQUE LETTRISTE (La musique lettriste, hypergraphique, infinitésimale, aphoniste et
supertemporelle). Doppelheft der Zeitschrift LA REVUE MUSICALE. Paris: Richard-Masse 1971, Nos. 282-283
Curtay, Jean-Paul: La poésie lettriste. Paris: Seghers 1974
Curtay, Jean-Paul: Poésie corporelle, in: BERENICE. Roma 1982, Anno II, Novembre 1981-Marzo 1982, S. 96-99
Damen, Herman: Verbosonieen - Verbosonies /Kommentare zu den "Verbosonies" von Herman Damen/, in: Herman
Damen: Langer Vers. Taal mobiliseren 1966-1972. Bill bread. mobilizing language 1966-1972. Utrecht 1973, S. 177-179
Damen, Herman: Verbosony and Phonography, in: Herman Damen: Langer Vers. Taal Mobiliseren 1966-1972 (Bill
Bread. mobilizing language 1966-1972). Utrecht 1973, S. 95-101
Dana, Llys: Audio-jacket factory, in: Inter. Québec 1985, Nr. 27, Frühling 1985, Dossier "Ecrire le son. Le corps bruit
de la gorge", S. 17
David, Jack: SOUND POETRY (Chapter V), in: ders.: Concrete Poetry. University of Windsor, Ontario/Canada, 1973,
S. 33-38
Dean, Michael; Penhale, David; Smith, Steven; Truhlar, Richard: CORRESPONDENCES: a pun on Baudelaire being
excerpts from the letter of OWEN SOUND, in: owen sound: MEAFORD TANK RANGE. Toronto: Wild Press 1977, o.
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Dehò, Valerio: Visual and Sound Poetry / Poesia visuale e sonora, in: Vanished Paths. Crisis of Representation and
Destruction in the Arts from the 1950s to the End of the Century / Sentieri interrotti. Crisi della rappresentazione e
iconoclastia nelle arti dagli anni Cinquanta alla fine del secolo. Redazione / Editing by Elena Carotti and Debbie Bibo.
Milano: Edizioni Charta 2000, S. 184-211
Delehanty, Suzanne: Soundings, in: Dan Lander, Micah Lexier (Hg.): Sound by Artists. Toronto: Art Metropole 1990,
S. 21-38
Demetz, Peter: Varieties of Phonetic Poetry: An Introduction, in: From Kafka and Dada to Brecht and Beyond. Five
essays. Ed. by Reinhold Grimm, Peter Spycher, Richard A. Zipser. Madison, Wisconsin/USA 1982 (= Monatshefte.
Occasional Volume Number 2), S. 23-33
Dencker, Klaus Peter: From Concrete to Visual Poetry, with a Glance into the Electronic Future, in: DOC(K)S, série 3.
Hrsg. von Philippe Castellin. Ajaccio 1998, Nr. 17-20, DOC(K)SON, S. 141-154
Denker, Christian W.: La Poésie Sonore et le Visuel. Maîtrise d'esthétique. Paris: Université de Paris - Panthéon /
Sorbonne 1996
Dibelius, Ulrich: Lautpoesie. Sprechstücke von Jeremy Adler u. a. /zu: "Lautpoesie. Eine Anthologie. Hrsg. von Christian
Scholz. Obermichelbach: Gertraud Scholz Verlag 1987/, in: NZ. Neue Zeitschrift für Musik. Mainz 1988, 149. Jg.,
Nr. 7/8, Juli/August, S. 97
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