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Please note - Swinburne University of Technology

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developing the creative writing ability to condense the<br />

information into a script <strong>of</strong> pre-determined timelength that<br />

will effectively communicate the message to its intended<br />

target, and layout the script ready for client approval and<br />

recording. Integral to this process is the development <strong>of</strong> a<br />

clear understanding <strong>of</strong> the nature <strong>of</strong> the listening audience<br />

and their interaction with the radio medium, to effectively<br />

deliver the advertising message.<br />

Assessment<br />

Students will be required to present client briefs completed<br />

as part <strong>of</strong> structured assignments, and to prepare and<br />

present finished scripts.<br />

References<br />

Schulberg, B., Radio Advertising, Illinois, NTC Business Books, 1989<br />

Crompton, A,, The Craft <strong>of</strong> Copywriting, 2nd edn, London,<br />

Hutchinson Business, 1987<br />

AMI 18<br />

Radio Advertising Production<br />

No. <strong>of</strong> hours per week: three hours<br />

Prerequisites: pass in AM1 13 Radio Presentation<br />

1 and AM1 17 Advertising Copywriting.<br />

Subject aims and description<br />

This subject will develop the skills to identify the structures <strong>of</strong><br />

sound and the nature <strong>of</strong> human auditory responses. Students<br />

will develop basic recording and editing skills, progressing to<br />

advanced multi-track recording and digital recording and<br />

editing. Students will be able to record commercials,<br />

promotional scripts and programs to a standard ready for<br />

pr<strong>of</strong>essional broadcasting.<br />

Assessment<br />

Assessment will require students to take a written script to<br />

the final recorded commercial ready for broadcast. Through a<br />

series <strong>of</strong> graded assignments, skills will be assessed in<br />

recorded voice clarity, the use <strong>of</strong> music and sound effects,<br />

creativity, correct identification and labelling and technical<br />

quality.<br />

References<br />

Baird. -- -, L. - ed.. - Guide to Radio Production, .. Svdney, - Australian Film, TV<br />

and Radio ~'chool , 1992<br />

Borwick, J. ed., Sound Recording Practice, 2nd edn, Oxford, Oxford<br />

<strong>University</strong> Press, 1980<br />

~ ~ 2 0 The 2 Fifth Estate: New Media<br />

No. <strong>of</strong> hours per week: three hours<br />

Prerequisites: AM1 02 or AM103, and AP112 for<br />

students majoring in Australian Studies<br />

Assessment: continuous<br />

Subject aims and description<br />

This subiect examines the convergence <strong>of</strong> broadcasting and<br />

telecom;nunications in the context <strong>of</strong> political, economic and<br />

social change associated with new media. New<br />

communications technologies, such as cable and pay<br />

television, teletext and videotext, video-cassette recorders,<br />

domestic and direct broadcast satellites, and video disc are<br />

discussed in the context <strong>of</strong> chanaes to traditional<br />

broadcasting systems. Notions s;ch as technological<br />

determinism, media plurality, information access and equity,<br />

are related to an alleged new information revolution. The<br />

effects <strong>of</strong> new communications technologies on content,<br />

diversity and social needs in Australia are canvassed. As well,<br />

the cultural implications <strong>of</strong> new choices <strong>of</strong> media, made<br />

possible by technological change, are examined for special<br />

groups.<br />

References<br />

Barr, T., Challenges and Change, Melbourne, Oxford <strong>University</strong> Press,<br />

1987<br />

Barr, T. The Electronic Estate. Ringwood, Penguin, 1985<br />

Mosco, V., The Pay-per-Society - Computers and Communications in<br />

the Information Age, Norwood, N.J., Ablex, 1989<br />

Reinecke, I. and Schultz, J., The Phone Book, Ringwood, Penguin,<br />

1983<br />

Wheelwright, E. and Buckley, K., (eds), Communications and the<br />

Media in Australia, Sydney, Allen and Unwin, 1987<br />

Westerway, Peter. Electronic Highways, Sydney, Allen and Unwin,<br />

1990<br />

~ ~ 2 0 Popular 3 Culture<br />

No. <strong>of</strong> hours per week: three hours<br />

Prerequisites: AM 1 02 or AM 1 03<br />

Assessment: continuous<br />

Subject aims and description<br />

This subject will introduce issues and debates in<br />

contemporary culture and cultural analysis. It will investigate<br />

the diversity <strong>of</strong> images, ideologies, meanings and practices<br />

which comprise popular culture. Attention will be drawn to<br />

the ongoing developments and changes in popular culture in<br />

Australia in the 1990s. Special empahsis will be placed on the<br />

role and significance <strong>of</strong> the media and its representations <strong>of</strong><br />

popular culture.<br />

The subject will also consider the commercial and institutional<br />

imperatives shaping popular culture and its multiple relations<br />

to political processes. Major theoretical reference points in<br />

this subject will include marxist, feminist, post-modern and<br />

structuralist analysis <strong>of</strong> late capitalism. Consideration will be<br />

given to the ongoing debates which surround cultural<br />

meanings and practices in the current Australian context.<br />

The central aim <strong>of</strong> the subject is to encourage students to<br />

engage in a critical analysis <strong>of</strong> the culture around them.<br />

Students will be able to draw on their own experiences <strong>of</strong><br />

culture and critically examine their own contructions <strong>of</strong><br />

meaning, and the pleasures <strong>of</strong> involvement.<br />

References<br />

Fiske, J. Understanding Popular Culture, Boston, Unwin Hyman, 1989<br />

Fiske, J. Reading the Popular, Boston, Unwin Hyman, 1989<br />

Milner, A. Contemporary Cultural Theory: An Introduction, Sydney,<br />

Allen & Unwin, 1991<br />

O'Sullivan, T. et al, Key Concepts in Communication, London,<br />

Methuen, 1983<br />

~ ~ 2 0 5 Special Issues in the Media<br />

No. <strong>of</strong> hours per week: three hours<br />

Prerequisites: AM1 02 or AM1 03<br />

Assessment: continuous<br />

Subject aims and description<br />

This subject will investigate the major relationships between<br />

women and the media today. The general framework <strong>of</strong><br />

enquiry will comprise representation, audience reception and<br />

media consumption practices, and employment. Students<br />

will be encouraged to develop a variety <strong>of</strong> skills in the<br />

exploration <strong>of</strong> issues pertaining to women. These involve<br />

both textual analysis, in particular the study <strong>of</strong><br />

representations <strong>of</strong> women in media texts, and the<br />

examination <strong>of</strong> critical theory and research exploring issues<br />

in representation, reception and employment. Two particular<br />

concerns here include the special needs and practices <strong>of</strong><br />

women as audiences and media users, and the structures<br />

and conditions affecting women's employment in the media,

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