Please note - Swinburne University of Technology
Please note - Swinburne University of Technology
Please note - Swinburne University of Technology
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
AM~OZ Radio Production and Criticism A<br />
No. <strong>of</strong> hours per week: four hours<br />
Prerequisites: AM1 02 or AM1 03 and any two<br />
stage two media studies subjects or equivalent<br />
Assessment: continuous<br />
Subject aims and description<br />
The course aims to introduce students to the theory and<br />
practice <strong>of</strong> radio in Australia. Students are introduced to the<br />
theoretical constructs and debates which have directed the<br />
development <strong>of</strong> government policy, radio content and<br />
programming. We also examine the historical factors which<br />
have helped to shape the radio industry in Australia. We<br />
consider the impact that radio has had on the lives <strong>of</strong> both<br />
communities and individuals during the past seventy years.<br />
We examine those aspects <strong>of</strong> radio which have set it apart<br />
from other media - its ephemeral quality, its reliance on<br />
orality and its intimate relationship to its audience. For<br />
example, Potts in Radio in Australia argues that any human<br />
society establishes itself by imposing form on the world <strong>of</strong><br />
natural noise. He points out that the aural space occupied by<br />
radio has continually shrunk throughout the twentieth<br />
century to the point where the complete privatisation <strong>of</strong><br />
sound via the Walkman has rendered sound consistent with<br />
the individualisation <strong>of</strong> post-industrial society. Other theorists,<br />
such as Marshall McLuhan, saw radio as having the ability to<br />
'tribalise' its listeners making it a potential agent for great<br />
political change. We examine these and other theories as<br />
they relate to the radio medium itself.<br />
Finally AM302 is a production course and aims to equip<br />
students with the skills necessary for successful participation<br />
in radio production - sound recording, editing, panel<br />
operation, voice production and interviewing are all covered.<br />
While the acquisition <strong>of</strong> production skills is an essential part<br />
<strong>of</strong> the course, the broader context <strong>of</strong> how those skills can be<br />
applied is always kept in mind.<br />
Textbook<br />
<strong>Swinburne</strong> Radio Production Notes, 1990. Hawthorn, Vic.,<br />
<strong>Swinburne</strong> Press, 1990.<br />
References<br />
Arnheim, R. Radio. New York, Da Capo, 1972<br />
Brecht, 5. Radio as a Means <strong>of</strong> Communication. Screen V20, Nos. 314<br />
Crisell, A. Understanding Radio. London, Methuen, 1986<br />
Enzensberger, H.M. Constituents <strong>of</strong> a theory <strong>of</strong> the media in<br />
The Consciousness Industry New York, Seaburg Press, 1974<br />
Foucault, M. The Archeology <strong>of</strong> Knowledge and the Discourse on<br />
Language. New York, Pantheon Books, 1972<br />
Hicks, M. Radio on Radio. <strong>Swinburne</strong>, 1985 (Audio Tapes)<br />
Hood, S. Brecht on Radio. Screen VZO, Nos. 314<br />
Johnson, L. The Unseen Voice. London, Routledge. 1988<br />
Ong, W. Orality and Literacy London, Methuen, 1982<br />
~ ~ 3 0 Radio 3 Production and Criticism B<br />
No. <strong>of</strong> hours per week: four hours<br />
Prerequisites: AM1 02 or AM1 03 and AM302,<br />
and any two stage two media studies subjects or<br />
equivalent<br />
Assessment: continuous<br />
Subject aims and description<br />
This course aims to extend the knowledge gained by<br />
students in AM302 and allows students the opportunity to<br />
both apply and extend their radio production skills. Building<br />
on the skills developed in the previous semester's work,<br />
students are involved in the production <strong>of</strong> documentary<br />
programs with the aim <strong>of</strong> securing broadcast airtime on one<br />
<strong>of</strong> Melbourne's public radio stations. Students work in close<br />
contact with the producers from 3222, 3PBS, 3RRR, Public<br />
Radio News and various other community stations.<br />
The emphasis <strong>of</strong> this course is on praxis - students are<br />
encouraged to apply the theoretical knowledge <strong>of</strong> radio<br />
textual analysis to their own productions and are encouraged<br />
to constantly review their own and other's work with<br />
reference to the theoretical constructs examined in AM302.<br />
They are also expected to keep abreast <strong>of</strong> changes and<br />
developments in the radio industry.<br />
Textbook<br />
<strong>Swinburne</strong> Radio Production Notes, 1990, Hawthorn, Vic.,<br />
<strong>Swinburne</strong> Press, 1990<br />
References<br />
As for AM302<br />
~ ~ 3 0 Pr<strong>of</strong>essional 6<br />
Attachment Program<br />
Fifteen days<br />
Equivalent value -one semester subject<br />
Prerequisites: five media studies subjects<br />
Assessment: continuous. AM306 is a passlfail<br />
only subject.<br />
This subject is available during semester two to a limited<br />
number <strong>of</strong> students. Those selected will be attached, after<br />
consultation, to a variety <strong>of</strong> media organisations. There they<br />
will be required to work under the direction <strong>of</strong> the<br />
supervising staff member. The program will be overseen by a<br />
member <strong>of</strong> the <strong>Swinburne</strong> media studies staff, and students<br />
will be required to keep a diary account <strong>of</strong> their attachment.<br />
~ ~ 3 0 Information 7<br />
Society: Promises<br />
and Policies<br />
No. <strong>of</strong> hours per week: three hours<br />
Prerequisites: AM 102, AM1 03 and two stage<br />
two media studies subjects or equivalent<br />
Assessment: continuous<br />
Subject aims and description<br />
This subject is an examination <strong>of</strong> media and communications<br />
in the context <strong>of</strong> a post-industrial or information society.<br />
Key questions about the contemporary technological<br />
revolution are addressed, such as who decides about new<br />
technologies, and how, whose interests are served, how<br />
national policies are fashioned, and whose information needs<br />
will be met by these technologies <strong>of</strong> abundance. Crucial here<br />
is a variety <strong>of</strong> political, social and ethical issues, including<br />
vexed territory such as ownership and control <strong>of</strong> information<br />
systems, privatisation and de-regulation <strong>of</strong> broadcasting and<br />
telecommunications, corporate and community information<br />
systems and international information transfer. Considerable<br />
emphasis is placed on the methodology <strong>of</strong> investigation,<br />
analysis <strong>of</strong> reDorts and aovernment inauiries. and the<br />
presentation <strong>of</strong> data a6<br />
information. students are<br />
encouraged to present their work in a form that will enable it<br />
to be available to the community.