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Please note - Swinburne University of Technology

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AM~OZ Radio Production and Criticism A<br />

No. <strong>of</strong> hours per week: four hours<br />

Prerequisites: AM1 02 or AM1 03 and any two<br />

stage two media studies subjects or equivalent<br />

Assessment: continuous<br />

Subject aims and description<br />

The course aims to introduce students to the theory and<br />

practice <strong>of</strong> radio in Australia. Students are introduced to the<br />

theoretical constructs and debates which have directed the<br />

development <strong>of</strong> government policy, radio content and<br />

programming. We also examine the historical factors which<br />

have helped to shape the radio industry in Australia. We<br />

consider the impact that radio has had on the lives <strong>of</strong> both<br />

communities and individuals during the past seventy years.<br />

We examine those aspects <strong>of</strong> radio which have set it apart<br />

from other media - its ephemeral quality, its reliance on<br />

orality and its intimate relationship to its audience. For<br />

example, Potts in Radio in Australia argues that any human<br />

society establishes itself by imposing form on the world <strong>of</strong><br />

natural noise. He points out that the aural space occupied by<br />

radio has continually shrunk throughout the twentieth<br />

century to the point where the complete privatisation <strong>of</strong><br />

sound via the Walkman has rendered sound consistent with<br />

the individualisation <strong>of</strong> post-industrial society. Other theorists,<br />

such as Marshall McLuhan, saw radio as having the ability to<br />

'tribalise' its listeners making it a potential agent for great<br />

political change. We examine these and other theories as<br />

they relate to the radio medium itself.<br />

Finally AM302 is a production course and aims to equip<br />

students with the skills necessary for successful participation<br />

in radio production - sound recording, editing, panel<br />

operation, voice production and interviewing are all covered.<br />

While the acquisition <strong>of</strong> production skills is an essential part<br />

<strong>of</strong> the course, the broader context <strong>of</strong> how those skills can be<br />

applied is always kept in mind.<br />

Textbook<br />

<strong>Swinburne</strong> Radio Production Notes, 1990. Hawthorn, Vic.,<br />

<strong>Swinburne</strong> Press, 1990.<br />

References<br />

Arnheim, R. Radio. New York, Da Capo, 1972<br />

Brecht, 5. Radio as a Means <strong>of</strong> Communication. Screen V20, Nos. 314<br />

Crisell, A. Understanding Radio. London, Methuen, 1986<br />

Enzensberger, H.M. Constituents <strong>of</strong> a theory <strong>of</strong> the media in<br />

The Consciousness Industry New York, Seaburg Press, 1974<br />

Foucault, M. The Archeology <strong>of</strong> Knowledge and the Discourse on<br />

Language. New York, Pantheon Books, 1972<br />

Hicks, M. Radio on Radio. <strong>Swinburne</strong>, 1985 (Audio Tapes)<br />

Hood, S. Brecht on Radio. Screen VZO, Nos. 314<br />

Johnson, L. The Unseen Voice. London, Routledge. 1988<br />

Ong, W. Orality and Literacy London, Methuen, 1982<br />

~ ~ 3 0 Radio 3 Production and Criticism B<br />

No. <strong>of</strong> hours per week: four hours<br />

Prerequisites: AM1 02 or AM1 03 and AM302,<br />

and any two stage two media studies subjects or<br />

equivalent<br />

Assessment: continuous<br />

Subject aims and description<br />

This course aims to extend the knowledge gained by<br />

students in AM302 and allows students the opportunity to<br />

both apply and extend their radio production skills. Building<br />

on the skills developed in the previous semester's work,<br />

students are involved in the production <strong>of</strong> documentary<br />

programs with the aim <strong>of</strong> securing broadcast airtime on one<br />

<strong>of</strong> Melbourne's public radio stations. Students work in close<br />

contact with the producers from 3222, 3PBS, 3RRR, Public<br />

Radio News and various other community stations.<br />

The emphasis <strong>of</strong> this course is on praxis - students are<br />

encouraged to apply the theoretical knowledge <strong>of</strong> radio<br />

textual analysis to their own productions and are encouraged<br />

to constantly review their own and other's work with<br />

reference to the theoretical constructs examined in AM302.<br />

They are also expected to keep abreast <strong>of</strong> changes and<br />

developments in the radio industry.<br />

Textbook<br />

<strong>Swinburne</strong> Radio Production Notes, 1990, Hawthorn, Vic.,<br />

<strong>Swinburne</strong> Press, 1990<br />

References<br />

As for AM302<br />

~ ~ 3 0 Pr<strong>of</strong>essional 6<br />

Attachment Program<br />

Fifteen days<br />

Equivalent value -one semester subject<br />

Prerequisites: five media studies subjects<br />

Assessment: continuous. AM306 is a passlfail<br />

only subject.<br />

This subject is available during semester two to a limited<br />

number <strong>of</strong> students. Those selected will be attached, after<br />

consultation, to a variety <strong>of</strong> media organisations. There they<br />

will be required to work under the direction <strong>of</strong> the<br />

supervising staff member. The program will be overseen by a<br />

member <strong>of</strong> the <strong>Swinburne</strong> media studies staff, and students<br />

will be required to keep a diary account <strong>of</strong> their attachment.<br />

~ ~ 3 0 Information 7<br />

Society: Promises<br />

and Policies<br />

No. <strong>of</strong> hours per week: three hours<br />

Prerequisites: AM 102, AM1 03 and two stage<br />

two media studies subjects or equivalent<br />

Assessment: continuous<br />

Subject aims and description<br />

This subject is an examination <strong>of</strong> media and communications<br />

in the context <strong>of</strong> a post-industrial or information society.<br />

Key questions about the contemporary technological<br />

revolution are addressed, such as who decides about new<br />

technologies, and how, whose interests are served, how<br />

national policies are fashioned, and whose information needs<br />

will be met by these technologies <strong>of</strong> abundance. Crucial here<br />

is a variety <strong>of</strong> political, social and ethical issues, including<br />

vexed territory such as ownership and control <strong>of</strong> information<br />

systems, privatisation and de-regulation <strong>of</strong> broadcasting and<br />

telecommunications, corporate and community information<br />

systems and international information transfer. Considerable<br />

emphasis is placed on the methodology <strong>of</strong> investigation,<br />

analysis <strong>of</strong> reDorts and aovernment inauiries. and the<br />

presentation <strong>of</strong> data a6<br />

information. students are<br />

encouraged to present their work in a form that will enable it<br />

to be available to the community.

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