Please note - Swinburne University of Technology
Please note - Swinburne University of Technology
Please note - Swinburne University of Technology
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References<br />
Dittmar, L. and Michaud, G. (eds.) From Hanoi to Hollywood: The<br />
Vietnam War in American Film. U.S.A., Rutgers <strong>University</strong> Press,<br />
1990<br />
Hartley, J. The Politics <strong>of</strong> Pictures. London. Routledge, 1992<br />
Parrinder, P. Science Fiction, Its Criticism and Teaching. London,<br />
Methuen, 1980<br />
Selden, R. Practising Theory and Reading Literature. New York,<br />
Hawester Wheatsheaf, 1989<br />
Turner, G. National Fictions: Literature, Film and the Construction <strong>of</strong><br />
Australian Narrative. 2nd edn, Sydney, Allen & Unwin, 1993<br />
AM SO^<br />
Pr<strong>of</strong>essional Production<br />
No. <strong>of</strong> hours per week: three hours<br />
Prerequisites: nil<br />
Assessment: production <strong>of</strong> a radio program or<br />
short film or television script<br />
0 Subject aims and description<br />
: This subject is aimed at students including those working in<br />
the industry who have above average radio and print media<br />
2 skills. It has three areas <strong>of</strong> focus - radio, writing for the print<br />
- media, and writing for film and television.<br />
:. The radio stream consists <strong>of</strong> a series <strong>of</strong> seminars dealing with<br />
key management issues including station operations,<br />
audience research and analysis, marketing, human resources,<br />
;<br />
the impact <strong>of</strong> new technology, and broadcast policy issues.<br />
3<br />
Students taking the radio stream may produce broadcast<br />
*. quality programs during the semester. This could be, for<br />
example, a major documentary or drama, or a multi-track<br />
production which draws on the student's production, research<br />
~n and writing skills, and creative ability.<br />
4. The print stream will focus on advanced investigative<br />
reporting and feature writing skills. Students taking the film<br />
2. and television stream will develop a script proposal, and a<br />
script for a short film or television program.<br />
D<br />
Students taking either the print or the film and television<br />
writing streams will also attend seminars which address<br />
different forms <strong>of</strong> writing.<br />
References<br />
Ong, W. Orality and Literacy: the Technologizing <strong>of</strong> the Word.<br />
London, Methuen, 1982<br />
<strong>Swinburne</strong> Radio Production Notes, 1990, Hawthorn, Vic.,<br />
<strong>Swinburne</strong> Press, 1990<br />
White, S.A. Reporting in Australia. South Melbourne, Macmillan,<br />
1991<br />
Windschuttle, K. and E. Writing, Researching, Communicating,<br />
Communication Skills for the lnformation Age. 2nd edn, Sydney,<br />
McGraw Hill, 1994<br />
AMSOS<br />
Workplace Practice<br />
No. <strong>of</strong> hours per week: three hours<br />
Prerequisites: nil<br />
Assessment: presentation <strong>of</strong> workplace proposal<br />
40%, final report 60%<br />
Subject aims and description<br />
This subject aims to give students in the final stages <strong>of</strong> the<br />
Masters the opportunity to undertake a detailed analysis <strong>of</strong><br />
the institutional and pr<strong>of</strong>essional processes <strong>of</strong> a media<br />
organisation. Students can nominate which organisation they<br />
wish to be placed in, and they will be required to consult with<br />
management when working out the details <strong>of</strong> the study. It<br />
would be expected that students will produce a detailed case<br />
study which addresses issues such as the media model under<br />
which the organisation operates, management structures,<br />
staffing and human resources, training, technology, target<br />
audiences and programming.<br />
Students can also negotiate with the media organisation to<br />
undertake a consultancy: for example, to research the<br />
feasibility <strong>of</strong> a particular project such as the conversion <strong>of</strong><br />
radio equipment from analogue to digital, the<br />
implementation <strong>of</strong> a program to increase Aboriginal and<br />
Torres Strait Islander employment, or to examine the impact<br />
<strong>of</strong> new broadcast regulations on the organisation.<br />
Possible participating organisations: ABV-2, 3L0, 3RN, 3CR,<br />
3RRR-FM, 3PBS-FM, 3AW, SBS-W.<br />
~ ~ 5 0 Thesis 6<br />
Subject aims and description<br />
Students are required to write a minor thesis, <strong>of</strong><br />
approximately 20,000 words, as a mandatory course<br />
requirement. The conce~tual and methodoloaical<br />
underpinning for the thesis will centre on the two core<br />
subjects. AM500 - Globalisation - Media and<br />
Telecommunications and AM503 Interrogating texts:<br />
Cultural Dreaming, though thesis topics may also emerge<br />
from AM501, AM502, AM504 and AM505. International<br />
students will have the opportunity to pursue topics related<br />
to their country <strong>of</strong> origin or explore comparative research<br />
subjects. There may be the possibility <strong>of</strong> electronic access to<br />
national and international databases for research.<br />
Supervision <strong>of</strong> these may be conducted with electronic<br />
means to support the supervisory-student interaction.<br />
~ ~ 5 0 lnformation 7<br />
Society 2000<br />
No. <strong>of</strong> hours per week: three hours<br />
Prerequisites: nil<br />
Assessment: seminar paper 40%, final report<br />
60%<br />
Subject aims and description<br />
This subject is an examination <strong>of</strong> media and communications<br />
in the context <strong>of</strong> a post-industrial or information society.<br />
Key questions about the contemporary technological<br />
revolution are addressed, such as who decides about new<br />
technologies, and how, whose interests are served, how<br />
national policies are fashioned, and whose information needs<br />
will be met by these technologies <strong>of</strong> abundance. Crucial here<br />
is a variety <strong>of</strong> political, social and ethical issues, including<br />
vexed territoty such as ownership and control <strong>of</strong> information<br />
systems, privatisation and de-regulation <strong>of</strong> broadcasting and<br />
telecommunications, corporate and community information<br />
systems and international information transfer.<br />
References<br />
A Vision <strong>of</strong> an Inte!ligent Island. National Computer Board,<br />
Singapore, March 1992<br />
Alvarado, M. and Thompson, J. (eds.) The Media Reader. London, BFI<br />
Publishing, 1990<br />
Skovmand, M. and Schroder, K.C. (eds.) Media Cultures:<br />
Re-Appraising Transnational Media. London, Routledge, 1992<br />
Sussrnan, G. and Lent. 1. Transnational Corporations: Wiring The<br />
Third World. London, Sage Publications, 1991