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Please note - Swinburne University of Technology

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References<br />

Dittmar, L. and Michaud, G. (eds.) From Hanoi to Hollywood: The<br />

Vietnam War in American Film. U.S.A., Rutgers <strong>University</strong> Press,<br />

1990<br />

Hartley, J. The Politics <strong>of</strong> Pictures. London. Routledge, 1992<br />

Parrinder, P. Science Fiction, Its Criticism and Teaching. London,<br />

Methuen, 1980<br />

Selden, R. Practising Theory and Reading Literature. New York,<br />

Hawester Wheatsheaf, 1989<br />

Turner, G. National Fictions: Literature, Film and the Construction <strong>of</strong><br />

Australian Narrative. 2nd edn, Sydney, Allen & Unwin, 1993<br />

AM SO^<br />

Pr<strong>of</strong>essional Production<br />

No. <strong>of</strong> hours per week: three hours<br />

Prerequisites: nil<br />

Assessment: production <strong>of</strong> a radio program or<br />

short film or television script<br />

0 Subject aims and description<br />

: This subject is aimed at students including those working in<br />

the industry who have above average radio and print media<br />

2 skills. It has three areas <strong>of</strong> focus - radio, writing for the print<br />

- media, and writing for film and television.<br />

:. The radio stream consists <strong>of</strong> a series <strong>of</strong> seminars dealing with<br />

key management issues including station operations,<br />

audience research and analysis, marketing, human resources,<br />

;<br />

the impact <strong>of</strong> new technology, and broadcast policy issues.<br />

3<br />

Students taking the radio stream may produce broadcast<br />

*. quality programs during the semester. This could be, for<br />

example, a major documentary or drama, or a multi-track<br />

production which draws on the student's production, research<br />

~n and writing skills, and creative ability.<br />

4. The print stream will focus on advanced investigative<br />

reporting and feature writing skills. Students taking the film<br />

2. and television stream will develop a script proposal, and a<br />

script for a short film or television program.<br />

D<br />

Students taking either the print or the film and television<br />

writing streams will also attend seminars which address<br />

different forms <strong>of</strong> writing.<br />

References<br />

Ong, W. Orality and Literacy: the Technologizing <strong>of</strong> the Word.<br />

London, Methuen, 1982<br />

<strong>Swinburne</strong> Radio Production Notes, 1990, Hawthorn, Vic.,<br />

<strong>Swinburne</strong> Press, 1990<br />

White, S.A. Reporting in Australia. South Melbourne, Macmillan,<br />

1991<br />

Windschuttle, K. and E. Writing, Researching, Communicating,<br />

Communication Skills for the lnformation Age. 2nd edn, Sydney,<br />

McGraw Hill, 1994<br />

AMSOS<br />

Workplace Practice<br />

No. <strong>of</strong> hours per week: three hours<br />

Prerequisites: nil<br />

Assessment: presentation <strong>of</strong> workplace proposal<br />

40%, final report 60%<br />

Subject aims and description<br />

This subject aims to give students in the final stages <strong>of</strong> the<br />

Masters the opportunity to undertake a detailed analysis <strong>of</strong><br />

the institutional and pr<strong>of</strong>essional processes <strong>of</strong> a media<br />

organisation. Students can nominate which organisation they<br />

wish to be placed in, and they will be required to consult with<br />

management when working out the details <strong>of</strong> the study. It<br />

would be expected that students will produce a detailed case<br />

study which addresses issues such as the media model under<br />

which the organisation operates, management structures,<br />

staffing and human resources, training, technology, target<br />

audiences and programming.<br />

Students can also negotiate with the media organisation to<br />

undertake a consultancy: for example, to research the<br />

feasibility <strong>of</strong> a particular project such as the conversion <strong>of</strong><br />

radio equipment from analogue to digital, the<br />

implementation <strong>of</strong> a program to increase Aboriginal and<br />

Torres Strait Islander employment, or to examine the impact<br />

<strong>of</strong> new broadcast regulations on the organisation.<br />

Possible participating organisations: ABV-2, 3L0, 3RN, 3CR,<br />

3RRR-FM, 3PBS-FM, 3AW, SBS-W.<br />

~ ~ 5 0 Thesis 6<br />

Subject aims and description<br />

Students are required to write a minor thesis, <strong>of</strong><br />

approximately 20,000 words, as a mandatory course<br />

requirement. The conce~tual and methodoloaical<br />

underpinning for the thesis will centre on the two core<br />

subjects. AM500 - Globalisation - Media and<br />

Telecommunications and AM503 Interrogating texts:<br />

Cultural Dreaming, though thesis topics may also emerge<br />

from AM501, AM502, AM504 and AM505. International<br />

students will have the opportunity to pursue topics related<br />

to their country <strong>of</strong> origin or explore comparative research<br />

subjects. There may be the possibility <strong>of</strong> electronic access to<br />

national and international databases for research.<br />

Supervision <strong>of</strong> these may be conducted with electronic<br />

means to support the supervisory-student interaction.<br />

~ ~ 5 0 lnformation 7<br />

Society 2000<br />

No. <strong>of</strong> hours per week: three hours<br />

Prerequisites: nil<br />

Assessment: seminar paper 40%, final report<br />

60%<br />

Subject aims and description<br />

This subject is an examination <strong>of</strong> media and communications<br />

in the context <strong>of</strong> a post-industrial or information society.<br />

Key questions about the contemporary technological<br />

revolution are addressed, such as who decides about new<br />

technologies, and how, whose interests are served, how<br />

national policies are fashioned, and whose information needs<br />

will be met by these technologies <strong>of</strong> abundance. Crucial here<br />

is a variety <strong>of</strong> political, social and ethical issues, including<br />

vexed territoty such as ownership and control <strong>of</strong> information<br />

systems, privatisation and de-regulation <strong>of</strong> broadcasting and<br />

telecommunications, corporate and community information<br />

systems and international information transfer.<br />

References<br />

A Vision <strong>of</strong> an Inte!ligent Island. National Computer Board,<br />

Singapore, March 1992<br />

Alvarado, M. and Thompson, J. (eds.) The Media Reader. London, BFI<br />

Publishing, 1990<br />

Skovmand, M. and Schroder, K.C. (eds.) Media Cultures:<br />

Re-Appraising Transnational Media. London, Routledge, 1992<br />

Sussrnan, G. and Lent. 1. Transnational Corporations: Wiring The<br />

Third World. London, Sage Publications, 1991

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