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Steven Pinker -- How the Mind Works - Hampshire High Italian ...

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6 | HOW THE MIND WORKSEach number represents <strong>the</strong> brightness of one of <strong>the</strong> millions of tinypatches making up <strong>the</strong> visual field. The smaller numbers come fromdarker patches, <strong>the</strong> larger numbers from brighter patches. The numbersshown in <strong>the</strong> array are <strong>the</strong> actual signals coming from an electronic cameratrained on a person's hand, though <strong>the</strong>y could just as well be <strong>the</strong> firingrates of some of <strong>the</strong> nerve fibers coming from <strong>the</strong> eye to <strong>the</strong> brain asa person looks at a hand. Vox a robot hrain—or a human brain-—to recognizeobjects and not bump into <strong>the</strong>m, it must crunch <strong>the</strong>se numbers andguess what kinds of objects in <strong>the</strong> world reflected <strong>the</strong> iight that gave riseto <strong>the</strong>m. The problem is humblingly difficult.First, a visual system must locate where an object ends and <strong>the</strong> backdropbegins. But <strong>the</strong> world is not a coloring book, with black outlinesaround solid regions. The world as it is projected into our eyes is a mosaicof tiny shaded patches. Perhaps, one could guess, <strong>the</strong> visual brain looks forregions where a quilt of large numbers (a brighter region) abuts a quilt ofsmall numbers (a darker region). You can discern such a boundary in <strong>the</strong>square of numbers; it runs diagonally from <strong>the</strong> top right to <strong>the</strong> bottom center.Most of <strong>the</strong> time, unfortunately, you would not have found <strong>the</strong> edge ofan object, where it gives way to empty space. The juxtaposition of large andsmall numbers could have come from many distinct arrangements of matter.This drawing, devised by <strong>the</strong> psychologists Pawan Sinha and EdwardAdelson, appears to show a ring of light gray and dark gray tiles.

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