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Steven Pinker -- How the Mind Works - Hampshire High Italian ...

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328 | HOW THE MIND WORKSend that a person intends to be used for attaining that end. The mixtureof mechanics and psychology makes artifacts a strange category. Artifactscan't be defined by <strong>the</strong>ir shape or <strong>the</strong>ir constitution, only by what <strong>the</strong>ycan do and by what someone, somewhere, wants <strong>the</strong>m to do. A store inmy neighborhood sells nothing but chairs, but its inventory is as varied asa department store's. It has stools, high-backed dining chairs, recliners,beanbags, elastics and wires stretched over frames, hammocks, woodencubes, plastic S's, and foam-rubber cylinders. We call <strong>the</strong>m all chairsbecause <strong>the</strong>y are designed to hold people up. A stump or an elephant'sfoot can become a chair if someone decides to use it as one. Probablysomewhere in <strong>the</strong> forests of <strong>the</strong> world <strong>the</strong>re is a knot of branches thatuncannily resembles a chair. But like <strong>the</strong> proverbial falling tree thatmakes no sound, it is not a chair until someone decides to treat it as one.Keil's young subjects who happily let coffeepots turn into birdfeeders get<strong>the</strong> idea.An extraterrestrial physicist or geometer, unless it had our psychology,would be baffled by some of <strong>the</strong> things we think exist in <strong>the</strong> world when<strong>the</strong>se things are artifacts. Chomsky points out that we can say that <strong>the</strong>book John is writing will weigh five pounds when it is published: "<strong>the</strong>book" is both a stream of ideas in John's head and an object with mass.We talk about a house burning down to nothing and being rebuilt; somehow,it's <strong>the</strong> same house. Consider what kind of object "a city" must be,given that we can say London is so unhappy, ugly, and polluted that itshould be destroyed and rebuilt a hundred miles away.When Atran claimed that folk biology mirrors professional biology, hewas criticized because folk categories like "vegetable" and "pet" match noLinnaean taxon. He replies that <strong>the</strong>y are artifacts. Not only are <strong>the</strong>ydefined by <strong>the</strong> needs <strong>the</strong>y serve (savory, succulent food; tractable companions),but <strong>the</strong>y are, quite literally, human products. Millennia ofselective breeding have created corn out of a grass and carrots out of aroot. One has only to imagine packs of French poodles roaming <strong>the</strong>primeval forests to realize that most pets are human creations, too.Daniel Dennett proposes that <strong>the</strong> mind adopts a "design stance"when dealing with artifacts, complementing its "physical stance" forobjects like rocks and its "intentional stance" for minds. In <strong>the</strong> designstance, one imputes an intention to a real or hypo<strong>the</strong>tical designer. Someobjects are so suited to accomplishing an improbable outcome that <strong>the</strong>attribution is easy. As Dennett writes, "There can be little doubt what anaxe is, or what a telephone is for; we hardly need to consult Alexander

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