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Steven Pinker -- How the Mind Works - Hampshire High Italian ...

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290 I HOW THE MIND WORKSory with bizarre confabulations. Similarly, our voluntary, waking mentalimages might be hobbled to keep <strong>the</strong>m from becoming hallucinations orfalse memories.JVnowing where mental images are says little about what <strong>the</strong>y are or how<strong>the</strong>y work. Are mental images really patterns of pixels in a 2V2-D array (orpatterns of active neurons in a cortical map)? If <strong>the</strong>y are, how do wethink with <strong>the</strong>m, and what would make imagery different from any o<strong>the</strong>rform of thought?Let's compare an array or sketch to its rival as a model of imagery,symbolic propositions in mentalese (similar to geon models and tosemantic networks). The array is on <strong>the</strong> left, <strong>the</strong> prepositional model on<strong>the</strong> right. The diagram collapses many propositions, like "A bear has ahead" and "The bear has <strong>the</strong> size XL," into a single network.The array is straightforward. Each pixel represents a small piece of surfaceor boundary, period; anything more global or abstract is only implicitin <strong>the</strong> pattern of filled pixels. The prepositional representation is quitedifferent. First, it is schematic, filled with qualitative relations like"attached to"; not every detail of <strong>the</strong> geometry is represented. Second,<strong>the</strong> spatial properties are factored apart and listed explicitly. Shape (<strong>the</strong>arrangement of an object's parts or geons), size, location, and orientationget <strong>the</strong>ir own symbols, and each can be looked up independently of <strong>the</strong>o<strong>the</strong>rs. Third, propositions mix spatial information, like parts and <strong>the</strong>irpositions, with conceptual information, like bearhood and membershipin <strong>the</strong> carnivore class.Of <strong>the</strong> two data structures, it is <strong>the</strong> pictorial array that best captures<strong>the</strong> flavor of imagery. First, images are thumpingly concrete. Consider

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