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Steven Pinker -- How the Mind Works - Hampshire High Italian ...

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The <strong>Mind</strong>'s Eye | 291this request: Visualize a lemon and a banana next to each o<strong>the</strong>r, but don'timagine <strong>the</strong> lemon ei<strong>the</strong>r to <strong>the</strong> right or to <strong>the</strong> left, just next to <strong>the</strong>banana. You will protest that <strong>the</strong> request is impossible; if <strong>the</strong> lemon andbanana are next to each o<strong>the</strong>r in an image, one or <strong>the</strong> o<strong>the</strong>r has to be on<strong>the</strong> left. The contrast between a proposition and an array is stark. Propositionscan represent cats without grins, grins without cats, or any o<strong>the</strong>rdisembodied abstraction: squares of no particular size, symmetry with noparticular shape, attachment with no particular place, and so on. That is<strong>the</strong> beauty of a proposition: it is an austere statement of some abstractfact, uncluttered with irrelevant details. Spatial arrays, because <strong>the</strong>y consistonly of filled and unfilled patches, commit one to a concrete arrangementof matter in space. And so do mental images: forming an image of"symmetry," without imagining a something or o<strong>the</strong>r that is symmetrical,can't be done.The concreteness of mental images allows <strong>the</strong>m to be co-opted as ahandy analogue computer. Amy is richer than Abigail; Alicia is not asrich as Abigail; who's <strong>the</strong> richest? Many people solve <strong>the</strong>se syllogismsby lining up <strong>the</strong> characters in a mental image from least rich to richest.Why should this work? The medium underlying imagery comeswith cells dedicated to each location, fixed in a two-dimensionalarrangement. That supplies many truths of geometry for free. Forexample, left-to-right arrangement in space is transitive: if A is to <strong>the</strong>left of B, and B is to <strong>the</strong> left of C, <strong>the</strong>n A is to <strong>the</strong> left of C. Anylookup mechanism that finds <strong>the</strong> locations of shapes in <strong>the</strong> array willautomatically respect transitivity; <strong>the</strong> architecture of <strong>the</strong> mediumleaves it no choice.Suppose <strong>the</strong> reasoning centers of <strong>the</strong> brain can get <strong>the</strong>ir hands on <strong>the</strong>mechanisms that plop shapes into <strong>the</strong> array and that read <strong>the</strong>ir locationsout of it. Those reasoning demons can exploit <strong>the</strong> geometry of <strong>the</strong> arrayas a surrogate for keeping certain logical constraints in mind. Wealth,like location on a line, is transitive: if A is richer than B, and B is richerthan C, <strong>the</strong>n A is richer than C. By using location in an image to symbolizewealth, <strong>the</strong> thinker takes advantage of <strong>the</strong> transitivity of location builtinto <strong>the</strong> array, and does not have to enter it into a chain of deductivesteps. The problem becomes a matter of plop down and look up. It is afine example of how <strong>the</strong> form of a mental representation determineswhat is easy or hard to think.Mental images also resemble arrays in shmooshing toge<strong>the</strong>r size,shape, location, and orientation into one pattern of contours, ra<strong>the</strong>r

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