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Steven Pinker -- How the Mind Works - Hampshire High Italian ...

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The Meaning of Life j 547Humor is often a kind of aggression. Being laughed at is aversive andfeels like an attack. Comedy often runs on slapstick and insult, and inless refined settings, including <strong>the</strong> foraging societies in which weevolved, humor can be overtly sadistic. Children often laugh hystericallywhen o<strong>the</strong>r children hurt <strong>the</strong>mselves or suffer misfortune. Many reportsin <strong>the</strong> literature on humor among foragers are similar. When <strong>the</strong> anthropologistRaymond Hames was living with <strong>the</strong> Ye'Kwana in <strong>the</strong> Amazonrainforest, he once smacked his head on <strong>the</strong> crossbar of <strong>the</strong> entrance to ahut and crumpled to <strong>the</strong> ground, bleeding profusely and writhing in pain.The onlookers were doubled over in laughter. Not that we are all that different.Executions in England used to be occasions for <strong>the</strong> whole familyto turn out and laugh at <strong>the</strong> condemned man as he was led to <strong>the</strong> gallowsand hanged. In 1984, Orwell presents a satire of popular entertainmentthrough Winston Smith's diary that comes uncomfortably close to a typicalevening in today's cinemaplexes:Last night to <strong>the</strong> flicks. All war films. One very good one of a ship full ofrefugees being bombed somewhere in <strong>the</strong> Mediterranean. Audiencemuch amused by shots of a great huge fat man trying to swim away with ahelicopter after him. first you saw him wallowing along in <strong>the</strong> water likeporpoise, <strong>the</strong>n you saw him through <strong>the</strong> helicopters gunsights, <strong>the</strong>n hewas full of holes and <strong>the</strong> sea round him turned pink and he sank as suddenlyas though <strong>the</strong> holes had let in <strong>the</strong> water, audience shouting withlaughter when he sank, <strong>the</strong>n you saw a lifeboat full of children with ahelicopter hovering over it. <strong>the</strong>re was a middleaged woman might havebeen a Jewess sitting up in <strong>the</strong> bow with a little boy about three years oldin her arms, little boy screaming with fright and hiding his head betweenher breasts as if he was trying to burrow right into her and <strong>the</strong> womanputting her arms around him and comforting him although she was bluewith fright herself, all <strong>the</strong> time covering him up as much as possible as ifshe thought her arms could keep <strong>the</strong> bullets off him. <strong>the</strong>n <strong>the</strong> helicopterplanted a 20 kilo bomb in among <strong>the</strong>m terrific flash and <strong>the</strong> boat went allto matchwood, <strong>the</strong>n <strong>the</strong>re was a wonderful shot of a childs arm going upup up right up into <strong>the</strong> air a helicopter with a camera in its nose musthave followed it up and <strong>the</strong>re was a lot of applause . . .I can hardly bear to read it, but on <strong>the</strong> o<strong>the</strong>r hand I don't remember everlaughing so hard in <strong>the</strong> movies as when Indiana Jones pulled out his gunand shot <strong>the</strong> grinning, scimitar-twirling Egyptian.The horror that Orwell elicits by his pa<strong>the</strong>tic description of <strong>the</strong> victims'terror shows that cruelty alone is not <strong>the</strong> trigger for humor. The

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