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Steven Pinker -- How the Mind Works - Hampshire High Italian ...

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226 J HOW THE MIND WORKSBrewster also noticed that any irregularity in <strong>the</strong> spacing of a pair ofcopies makes <strong>the</strong>m protrude or recess from <strong>the</strong> rest. Imagine that <strong>the</strong>flowers pierced by <strong>the</strong> lines of sight in <strong>the</strong> diagram are printed a bitcloser to each o<strong>the</strong>r. The lines of sight are brought toge<strong>the</strong>r aind crosseach o<strong>the</strong>r closer to <strong>the</strong> eyes. The images on <strong>the</strong> retina will splay out to<strong>the</strong> temples, and <strong>the</strong> brain sees <strong>the</strong> imaginary flower as being nearer.Similarly, if <strong>the</strong> flowers had been printed a bit far<strong>the</strong>r apart, <strong>the</strong> lines ofsight will cross far<strong>the</strong>r away, and <strong>the</strong>ir retinal projections will crowdtoward <strong>the</strong> nose. The brain hallucinates <strong>the</strong> ghost object at a slightlygreater distance.We have now arrived at a simple kind of "magic eye" illusion, <strong>the</strong> wallpaperautostereogram. Some of <strong>the</strong> stereograms in <strong>the</strong> books and greetingcards show rows of repeating figures—trees, clouds, mountains,people. When you view <strong>the</strong> stereogram, each tier of objects drifts in orout and lands at its own depth (although in <strong>the</strong>se autostereograms,unlike <strong>the</strong> squiggly ones, no new shape emerges; we'll come to thosesoon). Here is an example, designed by Ilavenil Subbiah.It is like Brewster's wallpaper, but with <strong>the</strong> unequal separations put indeliberately ra<strong>the</strong>r than by a paperhanger's sloppiness. The pictureaccommodates seven sailboats because <strong>the</strong>y are closely packed, but onlyfive arches because <strong>the</strong>y are spaced far<strong>the</strong>r apart. When you look behind<strong>the</strong> picture, <strong>the</strong> sailboats seem closer than <strong>the</strong> arches because <strong>the</strong>ir misbuttonedlines of sight meet in a nearer plane.If you don't already know how to fuse stereograms, try holding <strong>the</strong>book right up to your eyes. It is too close to focus; just let your eyes pointstraight ahead, seeing double. Slowly move <strong>the</strong> book away while keepingyour eyes relaxed and "looking through" <strong>the</strong> book to an imaginary point

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