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Steven Pinker -- How the Mind Works - Hampshire High Italian ...

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Ho<strong>the</strong>ads | 367allows new coinages to become epidemic. When a language has not had<strong>the</strong>se stimulants, people describe how <strong>the</strong>y feel with circumlocutions,metaphors, metonyms, and synecdoches. When a Tahitian woman says,"My husband died and I feel sick," her emotional state is hardly mysterious;we can bet she is not complaining about acid indigestion. Even alanguage with a copious vocabulary has words for only a fraction of emotionalexperience. The author G. K. Chesterton wrote,Man knows that <strong>the</strong>re are in <strong>the</strong> soul tints more bewildering, more numberless,and more nameless than <strong>the</strong> colours of an autumn forest; . . . Ye<strong>the</strong> seriously believes that <strong>the</strong>se things can every one of <strong>the</strong>m, in all <strong>the</strong>irtones and semitones, in all <strong>the</strong>ir blends and unions, be accurately representedby an arbitrary system of grunts and squeals. He believes that anordinary civilized stockbroker can really produce out of his own insidenoises which denote all <strong>the</strong> mysteries of memory and all <strong>the</strong> agonies ofdesire.When English-speakers hear <strong>the</strong> word Schadenfreude for <strong>the</strong> firsttime, <strong>the</strong>ir reaction is not, "Let me see . . . Pleasure in ano<strong>the</strong>r's misfortunes. . . What could that possibly be? I cannot grasp <strong>the</strong> concept; mylanguage and culture have not provided me with such a category." Theirreaction is, 'You mean <strong>the</strong>re's a word for it? Cool!" That is surely whatwent through <strong>the</strong> minds of <strong>the</strong> writers who introduced Schadenfreudeinto written English a century ago. New emotion words catch onquickly, without tortuous definitions; <strong>the</strong>y come from o<strong>the</strong>r languages(ennui, angst, naches, amok), from subcultures such as those of musiciansand drug addicts (blues, funk, juiced, wasted, rush, high, freakedout), and from general slang (pissed, bummed, grossed out, blown away). Ihave never heard a foreign emotion word whose meaning was notinstantly recognizable.People's emotions are so alike that it takes a philosopher to craft agenuinely alien one. In an essay called "Mad Pain and Martian Pain,"David Lewis defines mad pain as follows:There might be a strange man who sometimes feels pain, just as we do,but whose pain differs greatly from ours in its causes and effects. Ourpain is typically caused by cuts, burns, pressure, and <strong>the</strong> like; his iscaused by moderate exercise on an empty stomach. Our pain is generallydistracting; his turns his mind to ma<strong>the</strong>matics, facilitating concentrationon that but distracting him from anything else. Intense pain has no ten-

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